| Lot No |
Description |
Estimate
|
| 1 |
|
Victorian chest of drawers. |
80
|
- |
150 |
| 1 |
A |
A ceramic boot, a print and a vase |
5
|
- |
10 |
| 2 |
|
Two pheasant plates |
5
|
- |
10 |
| 3 |
|
Cocktail cabinet |
10
|
- |
30 |
| 4 |
|
A good Victorian mahogany hallstand |
150
|
- |
300 |
| 5 |
|
Miscellaneous lot. Stair rods etc |
5
|
- |
10 |
| 6 |
|
Country chair |
10
|
- |
20 |
| 7 |
|
Lloyd loom chair |
5
|
- |
10 |
| 8 |
|
Late Victorian desk |
40
|
- |
100 |
| 9 |
|
Early electric wall clock |
20
|
- |
50 |
| 10 |
|
Good small chest. Victorian |
80
|
- |
150 |
| 11 |
|
2 chairs |
5
|
- |
10 |
| 12 |
|
Edwardian couch |
50
|
- |
120 |
| 13 |
|
Three chandeliers & eight side lights |
30
|
- |
80 |
| 14 |
|
Four mahogany chairs, as found |
20
|
- |
40 |
| 15 |
|
Hallstand, as found |
20
|
- |
60 |
| 16 |
|
Pair of convex wall mirrors |
20
|
- |
60 |
| 17 |
|
Victorian table base |
20
|
- |
50 |
| 18 |
|
Gramophone |
50
|
- |
100 |
| 19 |
|
Two fenders |
10
|
- |
20 |
| 20 |
|
Bedside locker |
5
|
- |
10 |
| 21 |
|
A pair of Edwardian wing back chairs |
100
|
- |
200 |
| 22 |
|
Singer sewing machine on base |
5
|
- |
10 |
| 23 |
|
Locker |
5
|
- |
10 |
| 24 |
|
Clock case, as is |
40
|
- |
80 |
| 25 |
|
Four table legs and a clock case |
10
|
- |
20 |
| 26 |
|
Mahogany table |
40
|
- |
80 |
| 27 |
|
Pair of tub chairs |
40
|
- |
80 |
| 28 |
|
Mirror |
10
|
- |
20 |
| 29 |
|
Nursing chair. Victorian |
20
|
- |
50 |
| 30 |
|
Clock case |
50
|
- |
100 |
| 31 |
|
Clock case. Victorian |
400
|
- |
600 |
| 32 |
|
Hallstand |
10
|
- |
20 |
| 33 |
|
Bookcase bureau |
10
|
- |
20 |
| 34 |
|
Pair of hall chairs |
10
|
- |
20 |
| 35 |
|
Wardrobe |
20
|
- |
50 |
| 36 |
|
Cream coloured mirror |
20
|
- |
40 |
| 37 |
|
Three drawer locker |
5
|
- |
10 |
| 38 |
|
Boxed lot |
5
|
- |
10 |
| 39 |
|
Two prints |
5
|
- |
10 |
| 40 |
|
Boxed lot |
5
|
- |
10 |
| 41 |
|
US mail box |
5
|
- |
10 |
| 42 |
|
Four chairs. Edwardian |
10
|
- |
20 |
| 43 |
|
Lloyd loom ottoman |
10
|
- |
20 |
| 44 |
|
Pine coffee table |
10
|
- |
20 |
| 45 |
|
Coffee table (pine) |
10
|
- |
20 |
| 46 |
|
Writing table |
10
|
- |
20 |
| 47 |
|
Miscellaneous lot on table |
10
|
- |
20 |
| 48 |
|
Corner chair and another Victorian. |
40
|
- |
60 |
| 49 |
|
Three dining chairs. Victorian |
10
|
- |
20 |
| 50 |
|
Sewing table and base |
20
|
- |
30 |
| 51 |
|
Nine assorted dining chairs. Victorian |
80
|
- |
150 |
| 52 |
|
Green chair |
10
|
- |
20 |
| 53 |
|
Boxed lot |
5
|
- |
10 |
| 54 |
|
Boxed lot |
5
|
- |
10 |
| 55 |
|
Good mahogany marble toped wash stand |
20
|
- |
50 |
| 56 |
|
Arm chair. Edwardian |
20
|
- |
40 |
| 57 |
|
Print in oak frame |
10
|
- |
20 |
| 58 |
|
Watercolour, Hedgehog, signed & dated '88 |
20
|
- |
30 |
| 59 |
|
Bovril print |
5
|
- |
10 |
| 60 |
|
A Canter on the Heath, sporting print, hand coloured.
|
30
|
- |
50 |
| 61 |
|
Hunting print. Edwardian. After G. Wright. |
10
|
- |
20 |
| 62 |
|
Inlaid mahogany oval mirror |
20
|
- |
50 |
| 63 |
|
Copper bed warmer with turned handle. Victorian |
80
|
- |
120 |
| 64 |
|
Swivel office chair. Edwardian |
20
|
- |
50 |
| 65 |
|
Large painted pine two door wardrobe. Victorian |
200
|
- |
300 |
| 66 |
|
Painted pine cupboard. Victorian |
20
|
- |
50 |
| 67 |
|
Pair of pottery hounds |
10
|
- |
20 |
| 68 |
|
WATSON WOOD, a watercolour and 2 prints. |
20
|
- |
30 |
| 69 |
|
An oak cased drop dial wall clock. Edwardian. |
120
|
- |
180 |
| 70 |
|
Copper coal bucket. Edwardian |
70
|
- |
120 |
| 71 |
|
Milk pail |
60
|
- |
90 |
| 72 |
|
Pine chamber table. Victorian. |
20
|
- |
40 |
| 72 |
A |
Brass sun dial and a trivet |
5
|
- |
10 |
| 73 |
|
Painted pine side table. |
30
|
- |
60 |
| 74 |
|
Miscellaneous lots, lamps, candlesticks etc |
15
|
- |
30 |
| 75 |
|
Pair of large cast iron hoppers |
50
|
- |
80 |
| 76 |
|
Good painted pine food cupboard. Victorian. |
250
|
- |
350 |
| 76 |
A |
A Venetian mirror |
30
|
- |
60 |
| 77 |
|
Pine side table |
30
|
- |
70 |
| 77 |
A |
Five assorted copper vessels |
80
|
- |
120 |
| 78 |
|
Two cast iron skillets and hangers |
10
|
- |
20 |
| 79 |
|
Box linen etc |
10
|
- |
20 |
| 80 |
|
Twelve light switches |
60
|
- |
90 |
| 81 |
|
Stoneware jar |
30
|
- |
40 |
| 82 |
|
Pair of copper ship lamps |
80
|
- |
120 |
| 83 |
|
Agfa camera |
5
|
- |
10 |
| 84 |
|
Boxed lot of cutlery |
10
|
- |
20 |
| 85 |
|
Bronze bell. Victorian. |
120
|
- |
180 |
| 86 |
|
Cast iron water carrier |
350
|
- |
450 |
| 86 |
A |
A copper and brass log bin with lion mask handles |
30
|
- |
60 |
| 87 |
|
Assorted fire irons |
50
|
- |
70 |
| 88 |
|
Pine stool |
10
|
- |
20 |
| 88 |
A |
Bellows and assorted copper and brass items, six items |
50
|
- |
80 |
| 89 |
|
Good painted pine Galway dresser. Victorian |
300
|
- |
500 |
| 90 |
|
Pair of spongeware bowls |
40
|
- |
70 |
| 91 |
|
Three meat platters |
10
|
- |
20 |
| 92 |
|
Shelf of blue and white kitchen ware. Edwardian. |
15
|
- |
30 |
| 93 |
|
A white game dish and a meat platter with gravy well. |
50
|
- |
90 |
| 94 |
|
Semi porcelain meat platter with hand painted decoration
and gilding |
90
|
- |
150 |
| 95 |
|
Cream painted mirror |
220
|
- |
280 |
| 96 |
|
Exotic bird in glass dome |
100
|
- |
150 |
| 96 |
A |
Hunting horn, brass gun, oil vessel, fishing reel |
20
|
- |
40 |
| 97 |
|
Carltonware biscuit barrel with plated lid. Edwardian.
|
20
|
- |
50 |
| 97 |
A |
Six assorted brass candlesticks and two brass eagles |
50
|
- |
80 |
| 98 |
|
Walnut filing cabinet. Edwardian |
30
|
- |
80 |
| 98 |
A |
Three brass pokers, one tongs, two shovels and a pair
of fine dogs |
60
|
- |
90 |
| 99 |
|
Gilt wall mirror. Victorian |
220
|
- |
280 |
| 100 |
|
Pine chest of drawers. Victorian |
50
|
- |
100 |
| 100 |
A |
Collection of nineteen brass and copper toasting forks |
50
|
- |
80 |
| 101 |
|
A pierced brass trivet. Edwardian |
60
|
- |
100 |
| 102 |
|
Handmade brass ewer |
30
|
- |
50 |
| 103 |
|
Two painted low chairs |
20
|
- |
50 |
| 104 |
|
A good painted pine blanket chest. Victorian |
50
|
- |
100 |
| 105 |
|
Pine kitchen table. Victorian |
50
|
- |
100 |
| 106 |
|
Eight assorted kitchen chairs |
80
|
- |
150 |
| 107 |
|
Boxed lot |
10
|
- |
20 |
| 107 |
A |
Three assorted copper and brass kettles |
20
|
- |
40 |
| 108 |
|
Oil lamp, as found |
20
|
- |
30 |
| 108 |
A |
A wood plane, two candlesticks, brass dice, and three
assorted brass items |
10
|
- |
20 |
| 109 |
|
Pine table. Victorian |
20
|
- |
50 |
| 110 |
|
Four painted pine kitchen chiars |
20
|
- |
40 |
| 111 |
|
Eighteen pieces of Ironstone, Indian scroll pattern.
Victorian |
20
|
- |
40 |
| 112 |
|
Two luggage racks. Victorian |
20
|
- |
40 |
| 113 |
|
Famine chair |
20
|
- |
40 |
| 114 |
|
Elbow chair |
10
|
- |
30 |
| 115 |
|
Pair of boot scrapers set in limestone |
200
|
- |
300 |
| 116 |
|
Cast iron boot scraper stamped with registration mark |
80
|
- |
100 |
| 117 |
|
Pitch pine pew. Victorian |
30
|
- |
60 |
| 118 |
|
Bone handled whips, fields glasses |
10
|
- |
20 |
| 119 |
|
Three cast iron fenders. Victorian |
80
|
- |
150 |
| 120 |
|
Composition bird bath |
120
|
- |
200 |
| 121 |
|
Stripped pine blanket chest. Victorian |
50
|
- |
100 |
| 122 |
|
Print in gilt frame |
20
|
- |
40 |
| 123 |
|
A cased pair of stuffed partridge |
50
|
- |
100 |
| 124 |
|
Oak bureau. Edwardian |
50
|
- |
100 |
| 125 |
|
Good quality mahogany sideboard in the Georgian style |
100
|
- |
200 |
| 126 |
|
Art Deco mantle clock |
30
|
- |
50 |
| 127 |
|
1920's mantle clock |
60
|
- |
80 |
| 128 |
|
Oak cased Westminster mantle clock |
30
|
- |
50 |
| 129 |
|
Demi lume mahogany table |
40
|
- |
60 |
| 130 |
|
A glass centre bowl |
40
|
- |
60 |
| 131 |
|
A brass head of Buddah |
60
|
- |
100 |
| 132 |
|
After BRUEGEL, two prints |
60
|
- |
80 |
| 133 |
|
M. BOSSUYE, oil on board sunflowers"" |
100
|
- |
150 |
| 134 |
|
MARIE CARROLL, oil on card, Halfpenny Bridge"" |
300
|
- |
400 |
| 135 |
|
GEORGE GAVIN DUFFY, oil on canvas, Untitled"" |
350
|
- |
450 |
| 136 |
|
ADAM KOS, oil on board, Down By The Cliffs"" |
350
|
- |
450 |
| 137 |
|
Two similar cast iron beds & irons |
30
|
- |
50 |
| 138 |
|
A large manorial style iron chandelier |
100
|
- |
200 |
| 139 |
|
A mahogany davenport |
250
|
- |
300 |
| 140 |
|
Six dining chairs, two damaged. Victorian |
200
|
- |
300 |
| 141 |
|
A good library chair. early Victorian |
150
|
- |
250 |
| 142 |
|
A good pair of inlaid side chairs. Edwardian |
80
|
- |
150 |
| 143 |
|
A good gilt mirror with egg & dart decoration and bevelled
glass. Victorian |
1000
|
- |
1500 |
| 144 |
|
Part canteen of cutlery |
300
|
- |
400 |
| 145 |
|
Four assorted hunting prints |
60
|
- |
80 |
| 146 |
|
D-end table, stamped Jones & Son |
80
|
- |
120 |
| 147 |
|
PETER KNUTTEL, watercolour, Dalkey South, Co Dublin |
250
|
- |
350 |
| 148 |
|
After L. BUSIERE, a signed engraving. Published 1821.
H Graves, Godden & Fox |
200
|
- |
300 |
| 149 |
|
A pair of oleographs, interior scenes |
250
|
- |
350 |
| 150 |
|
An oak wall barometer. Edwardian |
200
|
- |
250 |
| 151 |
|
A good inlaid rosewood buttoned back couch on turned
legs, late Victorian |
500
|
- |
650 |
| 152 |
|
After HOWITT, six sporting prints in gilt frames |
60
|
- |
120 |
| 153 |
|
A good copper coal helmet stamped D.Gorrie, Perth, Victorian |
150
|
- |
250 |
| 154 |
|
Interesting hand coloured engraving |
30
|
- |
50 |
| 155 |
|
A good quality Sutherland table with shaped leaves and
outswept legs on brass castors. Edwardian. |
250
|
- |
350 |
| 156 |
|
A good ebonized and gilt breakfront side cabinet. Edwardian |
1200
|
- |
1600 |
| 157 |
|
A pair of baluster shaped oriental vases, with hand
painted decoration, Victorian |
180
|
- |
250 |
| 158 |
|
Set of three pink ground water jugs with gilt decoration |
80
|
- |
120 |
| 159 |
|
After DOROTHY HARDY, four hunting prints. Edwardian |
60
|
- |
100 |
| 160 |
|
A brass fox head on crossed whips. Edwardian |
40
|
- |
70 |
| 161 |
|
An eight day wall clock, the face crossbanded. Victorian |
280
|
- |
380 |
| 162 |
|
A mirror door wall cabinet with bookshelf above. Edwardian |
80
|
- |
120 |
| 163 |
|
Royal Doulton Toby jug. Granny |
90
|
- |
130 |
| 164 |
|
Royal Doulton Toby jug, The Poacher |
90
|
- |
130 |
| 165 |
|
After SNAFFLES, four hunting prints |
300
|
- |
400 |
| 166 |
|
JOHN MACLEOD, mixed media (inscribed verso) |
80
|
- |
150 |
| 167 |
|
MARGARET ANDERSON, oil on board |
80
|
- |
120 |
| 168 |
|
After KEITH PROCTOR, two signed prints "On The Line"
and "Desert Orchid" |
100
|
- |
140 |
| 169 |
|
A stained mahogany corner cupboard. Edwardian |
150
|
- |
250 |
| 170 |
|
A gilt mantle clock. Victorian |
120
|
- |
180 |
| 171 |
|
A mahogany pier mirror in the Georgian style |
150
|
- |
200 |
| 172 |
|
A good marble toped bedside locker with gilt decoration.
Edwardian |
420
|
- |
480 |
| 173 |
|
Exceptional quality half tester mahogany bed, the head
draped in cream fabric, the shaped foot board with fluted supports,
5ft, (58.5 inches) early Victorian |
4500
|
- |
5500 |
| 174 |
|
A good mahogany footstool with embroidered top. Late
Edwardian |
200
|
- |
300 |
| 175 |
|
A good pair of brass & metal carriage lamps. Victorian |
350
|
- |
450 |
| 176 |
|
A cello bearing retailers label, Boosey & Hawkes, London |
150
|
- |
250 |
| 177 |
|
A good crystal reading lamp |
350
|
- |
400 |
| 178 |
|
A good mahogany three tier whatnot on turned supports
and plinth base. Victorian |
450
|
- |
550 |
| 179 |
|
A good porcelain bowl supported by three cherubs above
painted floral decoration |
80
|
- |
120 |
| 180 |
|
MARIE CARROLL, oil on canvas, Turf Stacks"" |
1200
|
- |
1600 |
| 181 |
|
J.P. ROONEY, gouache, Lucky Piper"" |
450
|
- |
600 |
| 182 |
|
A mahogany chest of drawers with brass handles. Victorian |
380
|
- |
450 |
| 183 |
|
Four ruby glass bowls with diamond decoration |
20
|
- |
30 |
| 184 |
|
A mahogany crutch mirror, Victorian |
50
|
- |
80 |
| 185 |
|
PATRICK MULDOWNEY, oil on board, After The Days Fishing"" |
450
|
- |
600 |
| 186 |
|
ANNIE GAYNOR, oil on canvas "Blue Tail" |
450
|
- |
600 |
| 187 |
|
A mahogany wall cabinet with pierced side supports.
Edwardian |
80
|
- |
120 |
| 188 |
|
A good mahogany floor bookcase above two enclosed doors
on bracket feet. Late Edwardian |
450
|
- |
650 |
| 189 |
|
A gilt metal carriage clock with painted panels |
180
|
- |
250 |
| 190 |
|
Susie Cooper tea pot |
10
|
- |
20 |
| 191 |
|
Imari bowl |
80
|
- |
100 |
| 192 |
|
A good pair of bronze mortar and pestles, Victorian
|
130
|
- |
180 |
| 193 |
|
Ruby glass peg lamp. Edwardian |
70
|
- |
100 |
| 194 |
|
A good eight day wall clock. Victorian |
280
|
- |
380 |
| 195 |
|
A good brass cushion mirror with fruit decoration. Victorian |
80
|
- |
140 |
| 196 |
|
A good mahogany jardiniere on outswept legs and shelf
base. |
120
|
- |
180 |
| 197 |
|
A good gilt metal light shade with cut glass drops.
|
100
|
- |
150 |
| 198 |
|
Exceptional pair of gilt brass ceiling lights, with
cut glass drops supported by gilt ribbons and medallions in the French
manner |
600
|
- |
1000 |
| 199 |
|
A handmade Hamadam runner with central medallion panels
(112 inches long) |
250
|
- |
350 |
| 200 |
|
A good copper coal scuttle with porcelain handle and
matching shovel. Victorian |
200
|
- |
300 |
| 201 |
|
A pair of mahogany open dwarf bookcases with inset drawers
and brass ring handles resting on bracket feet |
900
|
- |
1200 |
| 202 |
|
A brass table gong. Edwardian |
40
|
- |
70 |
| 203 |
|
Six spy legal prints with cream mounts and black frames |
140
|
- |
180 |
| 204 |
|
A stained glass hall lantern with ornate brass bands.
Victorian |
450
|
- |
550 |
| 205 |
|
A good mahogany occasional table with shaped top and
tapering turned legs. Late Victorian |
200
|
- |
300 |
| 206 |
|
A good cut glass three bottle tantalus, the case with
brass studded mounts and carrying handles. Edwardian |
350
|
- |
450 |
| 207 |
|
A pair of brass wall sconces with inset porcelain panels
and pierced back |
100
|
- |
150 |
| 209 |
|
Framed map of Ireland, by Baptista Brozio |
250
|
- |
350 |
| 210 |
|
A good eight day wall clock with blue painted panel |
280
|
- |
380 |
| 211 |
|
After Snaffles, three humorous prints |
250
|
- |
300 |
| 212 |
|
A good bronze and gilt brass water pitcher, the central
body with playing cherubs, shaped handle with a poised cherub. Edwardian
|
250
|
- |
300 |
| 213 |
|
ADAM KOS, oil on board, Still life |
450
|
- |
550 |
| 214 |
|
W. SAUNDERS, oil on canvas, Inn scene |
450
|
- |
550 |
| 215 |
|
A walnut prie dieu chair, with upholstered seat and
back. Late Victorian |
180
|
- |
220 |
| 216 |
|
A good inlaid mahogany and brass four poster bed, 5ft
wide with curtain rails, the brass supports topped with spherical
balls. Edwardian. |
700
|
- |
950 |
| 217 |
|
JIMMY BINGHAM, oil on board, Along The Sea"" |
1800
|
- |
2200 |
| 218 |
|
Fur coat |
50
|
- |
80 |
| 219 |
|
Fur coat |
50
|
- |
80 |
| 220 |
|
Fur stoll |
40
|
- |
60 |
| 221 |
|
Fur stoll |
40
|
- |
60 |
| 222 |
|
Fur coat |
50
|
- |
80 |
| 223 |
|
A good mahogany window seat with turned mahogany rolls,
Victorian |
450
|
- |
550 |
| 224 |
|
Post war Nazi SS visor cap |
140
|
- |
200 |
| 225 |
|
Post war Nazi naval dagger |
600
|
- |
750 |
| 226 |
|
1st world war bayonette |
40
|
- |
70 |
| 227 |
|
A handmade Hamadam from North West Iran, approx 6ft
long |
140
|
- |
200 |
| 228 |
|
A good mahogany pier mirror with inlaid motif and shaped
side |
350
|
- |
450 |
| 229 |
|
EAMONN MURPHY, acrylic, Still Life number 9 |
500
|
- |
600 |
| 230 |
|
Excellent gilt corner bracket with floral decoration
and pale blue panels, the lower bracket with beaded decoration. Victorian |
500
|
- |
700 |
| 231 |
|
A good bisque bust of Alexandra, Victorian inscribed
Art Union of London, Mary Thornycroft Sc 1867 |
550
|
- |
750 |
| 232 |
|
F SWANN, oil on card. Rebecca"" |
300
|
- |
350 |
| 232 |
A |
A good brass coal helmet, with ebony carrying handle,
makers stamp on base. Victorian |
200
|
- |
350 |
| 233 |
|
A good wall barometer, the oak case with carved decoration.
Edwardian |
280
|
- |
350 |
| 234 |
|
A good oil on tin , Mother and Child in ornate gilt
frame |
450
|
- |
600 |
| 234 |
A |
A good quality carved mahogany hall table, the apron
with hanging fruits and swags resting on four carved legs with ball
and claw feet. Late Edwardian |
1300
|
- |
1600 |
| 235 |
|
After J Pollard, hand coloured engraving. 1830" The
Bedford Times" |
100
|
- |
150 |
| 236 |
|
MARIE CARROLL, oil on card, Apollo Gallery label verso
"Out And About" |
300
|
- |
400 |
| 236 |
A |
A good pair of Majolica style jardinieres, the blue
bodies adorned with water green foliage and cream water lilies |
150
|
- |
250 |
| 236 |
B |
RUBY GLASS |
20
|
- |
30 |
| 237 |
|
MARKEY ROBINSON. Gouache. Venice, Apollo Gallery label
verso |
2000
|
- |
2500 |
| 238 |
|
A stained leaded glass hall lantern with decorative
brass hands |
450
|
- |
550 |
| 239 |
|
A coloured print in an ornate gilt frame, possibly Captain
Cook in the South Sea islands. Victorian |
150
|
- |
250 |
| 240 |
|
A good carved walnut aneroid barometer. Edwardian |
80
|
- |
120 |
| 241 |
|
A pair of Wedgwood jasperware jardiniere. Edwardian |
350
|
- |
400 |
| 242 |
|
A good bronze table lamp, the reeded column resting
on a floral base with good lion paw feet. Edwardian |
120
|
- |
180 |
| 243 |
|
A good inlaid mahogany bow fronted cabinet, the top
cross banded and inlaid over two flame mahogany doors, with two inset
drawers with brass ring handles on tapering turned legs and miniature
brass casters, all in all a lovely piece of furniture. Edwardian |
550
|
- |
750 |
| 244 |
|
A good brass bed warmer with turned handle and engraved
lid. Victorian |
100
|
- |
140 |
| 245 |
|
A good Japanese porcelain stick stand, the hand painted
dragon decoration covered with salt glaze, the blue and white pattern
a classic colour for its age. Victorian |
320
|
- |
400 |
| 246 |
|
A mahogany library table on turned baluster supports
and outswept legs and shaped cross stretcher. Victorian |
700
|
- |
1000 |
| 247 |
|
A good silver plated breakfast warmer by Mappin & Webb,
London, on four paw feet. Victorian |
250
|
- |
350 |
| 248 |
|
A good brass postal scales and three weights. Edwardian |
100
|
- |
150 |
| 249 |
|
A metal breast plate and helmet |
450
|
- |
550 |
| 250 |
|
A large metal breast plate |
250
|
- |
300 |
| 251 |
|
A pair of rosewood marquetry side cabinets, the doors
and sides with oval floral panels and brass swan neck handles with
pierced back plates. Victorian |
2500
|
- |
3500 |
| 252 |
|
A good clock set, the clock with brass reeded columns
supporting a round enamel dial with visible escapement, the garnitures
with fruit platter tops. Victorian |
800
|
- |
1000 |
| 253 |
|
A good ceramic bust of Marie Antoinette, the body hand
painted with a gilded base, signed A. Carrier and makers stamp under
base. Victorian |
600
|
- |
900 |
| 254 |
|
A good ruby glass jug with applied clear glass handle.
Victorian |
220
|
- |
300 |
| 255 |
|
A Wedgwood jasperware biscuit barrel with plated mounts,
Edwardian |
60
|
- |
90 |
| 256 |
|
Two copper kettles |
30
|
- |
50 |
| 257 |
|
A pair of Kingwood lounge tables with gilt metal mounts
and fitted drawer, and pierced gallery back |
500
|
- |
750 |
| 258 |
|
An oak three drawer chest with brass handles and back
plates. Edwardian |
100
|
- |
200 |
| 259 |
|
A good mahogany swing mirror with tapering supports
and brass finials. Edwardian |
130
|
- |
180 |
| 260 |
|
A good pair of mahogany hall chairs, the pierced backs
above shaped seats, the entire resting on turned front legs. Victorian |
550
|
- |
650 |
| 261 |
|
A good sized mahogany side or reading table, with gallery
back, standing on turned legs. Victorian |
180
|
- |
240 |
| 262 |
|
A good inlaid mahogany plant stand, the outswept legs
joined by a inlaid shelf beneath. Edwardian |
250
|
- |
300 |
| 263 |
|
A good mahogany yacht table, the turned supports resting
on an inverted base joined by a tulip cross stretcher, the entire
resting on brass capped castors. William IV |
450
|
- |
550 |
| 264 |
|
A mahogany breakfast tray on four turned supports. Victorian |
30
|
- |
50 |
| 265 |
|
A mahogany bureau with three graduated drawers on bracket
feet. Victorian |
200
|
- |
250 |
| 266 |
|
A mahogany sideboard , the graduated drawers flanked
by blind doors, the entire resting on bun feet. Victorian |
50
|
- |
100 |
| 267 |
|
A three piece pottery toilet set, the hand painted floral
decoration with gilded splashes. Victorian |
140
|
- |
200 |
| 268 |
|
Six ruby glass bowls (five small and one large) |
25
|
- |
40 |
| 269 |
|
A good mahogany chest of two over three graduated drawers
with brass drop handles on bracket feet. Victorian |
350
|
- |
450 |
| 270 |
|
A good mahogany toilet mirror, the reeded supports with
brass finials with a shaped mirror. Edwardian |
180
|
- |
220 |
| 271 |
|
A good jasperware Wedgwood blue jardiniere, the dark
blue ground decorated with a cream hunting scene in relief. Edwardian |
100
|
- |
150 |
| 272 |
|
A mahogany dumb waiter, the flush drawers with oval
brass handles and pierced and decorated back plate, the entire resting
on short Queen Anne legs. Late Edwardian |
600
|
- |
800 |
| 273 |
|
A white horse lamp |
20
|
- |
40 |
| 274 |
|
A clear glass oil lamp |
50
|
- |
70 |
| 275 |
|
A large pressed glass and silver plated harvest jug
with a silvered scroll handle |
60
|
- |
80 |
| 276 |
|
A mahogany sideboard with lion mask handles on Queen
Ann legs and shaped apron. 1920/1930 |
50
|
- |
100 |
| 276 |
B |
Four pieces of ruby glass |
20
|
- |
30 |
| 277 |
|
a purple ground tea set with bright floral decoration |
70
|
- |
100 |
| 278 |
|
A mahogany occasional table with shaped top and lower
shelf. Edwardian |
40
|
- |
80 |
| 279 |
|
A pair of fan shaped plates |
10
|
- |
20 |
| 280 |
|
A pair of crested Minton wall plates. Victorian |
10
|
- |
20 |
| 281 |
|
A pierced brass trinket box with impressed pattern.
Victorian |
50
|
- |
80 |
| 282 |
|
A brass carriage clock (as found). Edwardian |
50
|
- |
80 |
| 283 |
|
A good mahogany chest of two over three graduating drawers
on bun feet. Victorian |
250
|
- |
350 |
| 284 |
|
A mahogany toilet mirror with shaped supports. Victorian |
50
|
- |
80 |
| 285 |
|
A good gentleman's mahogany armchair, the carved outswept
arms resting on cabriole legs. Early Victorian |
150
|
- |
250 |
| 286 |
|
A good mahogany lounge chair on turned legs. Victorian |
80
|
- |
100 |
| 287 |
|
A 5ft Brass bed with shaped head and foot rails. Late
Edwardian |
300
|
- |
500 |
| 288 |
|
A shaped mahogany hall table on turned supports and
outswept legs with a turned cross stretcher, mid Victorian |
250
|
- |
350 |
| 289 |
|
A collection of seven horse brass straps and twenty
eight horse brasses |
90
|
- |
120 |
| 290 |
|
A good pair of inlaid kingwood vitrines or display cabinets,
the rouge marble tops above glazed doors, over outswept brass toed
legs. Edwardian |
2500
|
- |
3000 |
| 291 |
|
Louis Van Staaten 1836 - 1909. Dutch artist. water colour,
harbour scene. Also known as Hermanus Koekkoek II |
800
|
- |
1200 |
| 292 |
|
Twelve signed prints,Parisian scenes |
80
|
- |
150 |
| 293 |
|
A good oak coffer with carved letters L.P and carved
date 1728 |
400
|
- |
600 |
| 294 |
|
A good carved oak corner chair, the top rail carved
with the words 'Be Content', with bobbin turned supports |
350
|
- |
450 |
| 295 |
|
A good oak corner cupboard, the door with four raised
panelled fields below a dental cornice. Victorian |
200
|
- |
300 |
| 296 |
|
A good pears print in an oak frame. Edwardian"The Long
Bill" |
150
|
- |
200 |
| 297 |
|
A pair of painted bronze blackamoors, torch bearers |
1600
|
- |
2000 |
| 298 |
|
A green upholstered dressing screen, bordered in mahogany
with brass handles. Late Victorian |
400
|
- |
550 |
| 299 |
|
A good mahogany inlaid floor bookcase, the drawers cross
banded in ebony and satinwood and inlaid with floral swags, the interior
with adjustable shelves behind glazed doors, the entire resting on
bracket feet. Edwardian |
1300
|
- |
1800 |
| 300 |
|
A good pair of Staffordshire mantle dogs. Victorian
|
180
|
- |
250 |
| 301 |
|
A good pair of brass candlesticks with reeded columns
on floral bases and paw feet. Victorian |
50
|
- |
100 |
| 302 |
|
ADAM KOS.oil on board "Love Letter" |
450
|
- |
550 |
| 303 |
|
SCHWATSCHKE oil on canvas inscribed verso" Night Out" |
1800
|
- |
2500 |
| 304 |
|
A framed poster advertising the Galway Arts Festival
1992 |
40
|
- |
80 |
| 305 |
|
A framed poster advertising the Galway Arts Festival
2002 |
40
|
- |
80 |
| 306 |
|
A framed poster advertising the Galway Arts Festival
2005 |
40
|
- |
80 |
| 307 |
|
A framed poster advertising the Galway Arts Festival
2000 |
40
|
- |
80 |
| 308 |
|
A framed poster advertising the Galway Arts Festival
2003 |
40
|
- |
80 |
| 309 |
|
A framed poster advertising the Galway Arts Festival
1989 |
40
|
- |
80 |
| 310 |
|
A framed poster advertising the Galway Arts Festival
1995 |
40
|
- |
80 |
| 311 |
|
A framed poster advertising the Galway Arts Festival
2004 |
40
|
- |
80 |
| 312 |
|
A framed poster advertising the Galway Arts Festival
1998 |
40
|
- |
80 |
| 313 |
|
STANLEY MITCHELL. Oil on canvas, Nijinsky"" |
500
|
- |
700 |
| 314 |
|
STANLEY MITCHELL. Oil on canvas, Mill Reef"" |
500
|
- |
700 |
| 315 |
|
STANLEY MITCHELL. Oil on canvas, Brigadier Gerard"" |
500
|
- |
700 |
| 316 |
|
A good rosewood card table, the top supported by a tapering
stem resting on a platform base. Victorian |
850
|
- |
1200 |
| 317 |
|
A good mahogany vestment cabinet with arched blind door.
Ideal for conversion to gun or collectors cabinet. Victorian |
300
|
- |
400 |
| 318 |
|
An inlaid mahogany chest with five graduating drawers
with raised field panels and drop brass handles. Edwardian |
280
|
- |
380 |
| 319 |
|
A good composition semi nude stone bust on a stepped
base. Late Victorian |
2000
|
- |
2500 |
| 320 |
|
ANNIE ROBINSON. oil on canvas"Home From Mass" |
2000
|
- |
2500 |
| 321 |
|
A good mahogany sewing table on a splayed base and bun
feet, mid Victorian (Worm) |
550
|
- |
650 |
| 322 |
|
A mahogany occasional table with carved knees and ball
and claw feet. Edwardian |
250
|
- |
350 |
| 323 |
|
A bronze buddah on a timber base |
60
|
- |
100 |
| 324 |
|
A stained mahogany carved American armchair with saddle
seat |
100
|
- |
150 |
| 325 |
|
A mahogany chest of drawers needing restoration. Victorian |
50
|
- |
100 |
| 326 |
|
A good mahogany toilet mirror with two inset drawers
on bracket feet. Victorian |
120
|
- |
160 |
| 327 |
|
A walnut coal purdonium with inset mirror back above
a drop down carved door |
280
|
- |
380 |
| 328 |
|
A ladies writing table with inset leather top and brass
gallery above five drawers on tapering legs and brass coasters. Edwardian |
550
|
- |
650 |
| 329 |
|
A satin birch bow fronted chest of two over three graduated
drawers, with a shaped apron on turned legs. Victorian |
550
|
- |
650 |
| 330 |
|
A superb quality satinwood toilet mirror, the shaped
front with inset bowed drawer and brass ring handles, the entire resting
on small bracket feet. Edwardian |
280
|
- |
380 |
| 331 |
|
A four drawer chest with brass handles resting on bracket
feet |
200
|
- |
300 |
| 332 |
|
A rare early 17th century lantern clock movement |
80
|
- |
120 |
| 333 |
|
a mahogany dining table end, Victorian |
50
|
- |
100 |
| 334 |
|
A cased set of birds, a jay, woodpecker, sparrow hawk
and a kestrel |
350
|
- |
450 |
| 335 |
|
A mahogany chest with four graduating drawers and turned
handles resting on bracket feet. Victorian |
200
|
- |
300 |
| 336 |
|
Three pottery vegetable tureens, the floral bodies with
gilded handles. Edwardian |
80
|
- |
120 |
| 336 |
A |
Lantern |
0
|
- |
0 |
| 337 |
|
Beautiful quality 3ft feathered mahogany bed with carved
top rail, the shaped footboard with outturned lip, the entire on turned
supports and sleigh shaped sides. Victorian |
600
|
- |
800 |
| 338 |
|
Good pair of pitch pine 3ft beds with panelled and turned
rail head and foot board. One bed missing side rails. Victorian |
350
|
- |
500 |
| 339 |
|
A fiddle in original case |
200
|
- |
300 |
| 340 |
|
A fiddle in original case |
200
|
- |
300 |
| 341 |
|
Trumpet in case |
40
|
- |
60 |
| 342 |
|
A good pair of mahogany inlaid 3ft beds with marquetry
panels, Edwardian |
300
|
- |
500 |
| 343 |
|
Lovely quality pierced brass fender, the urns with drop
rings. Early Victorian |
950
|
- |
1200 |
| 344 |
|
A pair of rosewood bedside lockers with marquetry panels
below inset drawers with brass swan neck handles |
650
|
- |
800 |
| 345 |
|
A good brass fender. 4ft 6 inches wide.Victorian |
150
|
- |
300 |
| 346 |
|
Exceptional 5ft bed. The mahogany head and foot board
panelled in checkered kingwood and adorned with quality brass floral
mounts and topped by gilded acorns, obviously made by a cabinet maker
of the highest repute. Victorian |
2000
|
- |
2500 |
| 347 |
|
A good pair of marble topped bedside cabinets with reeded
columns and turned feet. Late Victorian |
300
|
- |
350 |
| 348 |
|
A good mahogany butlers tray with carrying handles.
Victorian |
420
|
- |
500 |
| 349 |
|
A good three pillar mahogany D end dining table, the
turned pods with outswept legs and brass caped toes |
2000
|
- |
2500 |
| 350 |
|
Set of six mahogany balloon back dining chairs, the
shaped seat resting on turned legs. Victorian |
950
|
- |
1250 |
| 351 |
|
A four piece silver plated tea and coffee set and tray |
40
|
- |
80 |
| 352 |
|
Four blue and white willow pattern platters, two Victorian
platters and two quite modern |
80
|
- |
120 |
| 353 |
|
Six items of silver plate, a two handled tray, two salvers,
a candlestick, an ashtray and a pieced rectangular box with a straining
spoon |
20
|
- |
40 |
| 354 |
|
A good oak elbow chair, Victorian |
50
|
- |
100 |
| 354 |
A |
A quality pair of ladies and gents mahogany armchairs
with deep buttoned upholstery. the outswept arms joined by cabriole
legs resting on brass castors. Early Victorian |
2000
|
- |
2500 |
| 355 |
|
Etagere inlaid and hand painted, adorned with brass
mounts |
500
|
- |
600 |
| 356 |
|
Five pieces of assorted ruby glass |
25
|
- |
40 |
| 356 |
A |
An inlaid rosewood tub chair on turned legs. Edwardian |
250
|
- |
300 |
| 357 |
|
A good adjustable brass club fender with rope twist
supported and upholstered seats |
1000
|
- |
1400 |
| 358 |
|
A good set of brass fire irons and fire dogs. Edwardian |
200
|
- |
250 |
| 359 |
|
A good brass fire fender with pieced decoration and
scrolling cast ends. Edwardian |
450
|
- |
600 |
| 359 |
A |
A mahogany Sutherland table with slatted upright and
outswept legs |
180
|
- |
250 |
| 360 |
|
A good pair of high back hall chairs, the carved foliage
backs above dark upholstered seats, resting on carved cabriole legs.
Early Victorian |
350
|
- |
450 |
| 360 |
A |
A mahogany extending dining table with rounded ends
and one leaf on square tapering legs. Mid 20th century |
150
|
- |
250 |
| 361 |
|
TETE RONDE, a speltre figure. Victorian |
250
|
- |
300 |
| 361 |
A |
A twenty three piece part dinner service with rustic
decoration by Myott & Sons. Mid 20th Century |
30
|
- |
50 |
| 362 |
|
A rosewood chiffionaier, the upper section with mirrored
back panels and glazed doors above fitted shelves. Edwardian |
400
|
- |
600 |
| 362 |
A |
A turquoise harvest jug with naturalistic handle, depicting
hunting scenes in relief below a vine clad rim and a cream pottery
harvest jug depicting Naomi and her daughter-in-law in relief with
a silver plated lid. Victorian |
140
|
- |
180 |
| 363 |
|
Seven gilded fruit bowls, a glass bowl. a oval plate,
a spoon, sugar tongs and a carving fork |
10
|
- |
20 |
| 364 |
|
Six good ruby glass sherry glasses with clear glass
stems and feet. Victorian |
150
|
- |
200 |
| 365 |
|
A mahogany library or side table with inset drawers,
resting on turned and carved supports and carved supports and cross
stretcher. William IV |
500
|
- |
650 |
| 366 |
|
Wedgwood tea service with hand painted decortion |
30
|
- |
40 |
| 367 |
|
A good mahogany gentleman's armchair with turned rails
and carved knees on turned and fluted legs. Early Victorian |
300
|
- |
400 |
| 368 |
|
A similar lot to 367 with differences in carving and
a bowed seat. Again early Victorian |
300
|
- |
400 |
| 369 |
|
A nest of four lacquered tables on shape supports. Edwardian |
200
|
- |
300 |
| 370 |
|
Lovely quality inlaid mahogany elbow chair, the inlaid
back joined by outswept arms over a upholstered seat, the entire resting
on Queen Ann legs. Edwardian |
300
|
- |
350 |
| 371 |
|
A brown leather tub chair on tapering legs. Late Edwardian
|
50
|
- |
100 |
| 372 |
|
A mahogany wine table with a turned and carved stem
on shaped legs. Victorian |
220
|
- |
280 |
| 373 |
|
Good quality inlaid rosewood lounge chair with striped
yellow upholstery, the arms inlaid with tulip bells, resting on turned
legs. Late Victorian |
180
|
- |
250 |
| 374 |
|
A good brass faced, moon roller grandfather clock dial |
300
|
- |
400 |
| 375 |
|
A good mahogany breakfast table with reeded rim, resting
on a turned pod with four outswept legs and brass toed casters |
650
|
- |
800 |
| 376 |
|
Five salon chairs, with carved backs and cabriole legs
and birds eye feet, upholstered in light blue material. Late Victorian |
200
|
- |
300 |
| 377 |
|
A rare Killarney wood writing slope with fitted interior.
Killarney wood rarely comes onto the market anymore |
700
|
- |
900 |
| 378 |
|
A good quality Sutherland table, the top cross banded
in satinwood, the entire resting on outswept legs. Edwardian |
250
|
- |
350 |
| 379 |
|
A heavy mahogany corner chair, the outswept back with
carved back and turned supports, basically late 18th century |
250
|
- |
350 |
| 380 |
|
A mahogany side table with inset drawer, on a carved
stem and outswept base |
200
|
- |
300 |
| 381 |
|
A good pale mahogany stool, the shaped seat resting
on cabriole legs with carved knees and pod feet. Victorian |
250
|
- |
400 |
| 382 |
|
A pokerwork spinning chair with decorated back on turned
legs. Late Victorian |
150
|
- |
250 |
| 383 |
|
A good mahogany breakfast table on a turned pod, the
outswept legs with a carved English rose on each knee. Early Victorian |
650
|
- |
850 |
| 384 |
|
A good set of six mahogany dining chairs, the reeded
top rail similar to a Cork chair. Late Victorian |
600
|
- |
750 |
| 385 |
|
A good quality mahogany kidney shaped serving tray with
inlaid shell motif and hipped gallery with brass carrying handles.
late Victorian |
260
|
- |
300 |
| 385 |
A |
Stool |
0
|
- |
0 |
| 386 |
|
A good quality silver plated muffin warmer. Victorian |
50
|
- |
100 |
| 387 |
|
A glass ship and dome on base. Early Victorian |
250
|
- |
300 |
| 388 |
|
Unusual hand painted table centre piece, the body with
raised flowers on a blue grey background, with a pierced brass gallery.
The handles in the form of winged mythical creatures, the brass base
supported by four elephant heads, the interior in dappled or sponged
decoration. Late Victorian |
150
|
- |
250 |
| 389 |
|
An early ships sextant with ivory or bone inlay, inscribed
Smith, Liverpool |
350
|
- |
450 |
| 390 |
|
A good mahogany dining table to seat eight to ten, with
rounded corners over carved cabriole legs. Early Victorian |
2500
|
- |
3500 |
| 391 |
|
A good set of eight mahogany bar back dining chairs(six
chairs and two carvers). The reeded backs and front legs typical of
George III period |
1500
|
- |
2000 |
| 392 |
|
A good rosewood writing slope with fitted interior,
the exterior brass banded with inset brass handles. Victorian |
300
|
- |
400 |
| 393 |
|
Two blue and white meat platters and a blue and white
tureens cover. Victorian |
90
|
- |
130 |
| 394 |
|
A good silver plated entree dish with pierced rim and
segregated inner tray |
40
|
- |
60 |
| 395 |
|
A good rosewood sewing box with mother of pearl inlay
and another. Victorian |
80
|
- |
140 |
| 396 |
|
A good rosewood writing slope with fitted interior.
Victorian |
300
|
- |
400 |
| 397 |
|
A two bottle tantalus case. Victorian |
70
|
- |
100 |
| 398 |
|
An oval mahogany occasional on cabriole legs |
30
|
- |
60 |
| 398 |
A |
Excellent quality Georgian style drawing room stool.
The upholstered top above four cabriole legs with carved knees and
toes. Edwardian |
240
|
- |
300 |
| 399 |
|
A good mahogany piano stool with lift up lid, carved
freize and knees, resting on ball and claw feet |
150
|
- |
200 |
| 400 |
|
A good pair of ladies and gents carved oak chairs with
turned under arm supports and bowed upholstered seats on turned legs.
Victorian |
400
|
- |
600 |
| 401 |
|
A good mahogany library chair with x framed back and
turned supports, the carved cabriole arms resting on a bowed seat,
on turned and fluted legs. Victorian |
300
|
- |
400 |
| 402 |
|
A matching pair of deep buttoned brown leather reading
chairs with shaped arms, the entire resting on outswept legs joined
by turned stretchers. Edwardian |
800
|
- |
1000 |
| 403 |
|
A pair of mahogany elbow chairs with drop in seats,
the railed backs with sheaf of wheat carving. The entire resting on
tapering legs. Edwardian |
450
|
- |
550 |
| 404 |
|
A good mahogany revolving bookcase, the top cross banded
in satinwood, the railed sides resting on a splayed base. Edwardian |
650
|
- |
850 |
| 405 |
|
A good jasperware cheese dome the unusual pale green
ground decorated with vines, cherubs and flower carriers topped with
a acorn finial. Victorian |
250
|
- |
350 |
| 406 |
|
A mahogany Sutherland table on turned supports. Edwardian |
140
|
- |
200 |
| 407 |
|
A good rosewood coal box with inlaid satinwood fans
and brass carrying handle. Victorian |
200
|
- |
250 |
| 408 |
|
A good mahogany Chippendale style upholstered drawing
room couch with pale green silk brocade. The carved back with outswept
arms, the entire resting on ball and claw feet with carved knees.
Late Victorian |
550
|
- |
750 |
| 409 |
|
A Sundanece sword |
100
|
- |
200 |
| 410 |
|
A good Wilkinson dress sword with gilded metal mounts |
550
|
- |
650 |
| 411 |
|
A good dress sword by Hawksworth, London. Late Victorian |
400
|
- |
500 |
| 412 |
|
Lovely quality coloured engraving in a church yard setting
on a gilt frame. Early Victorian |
180
|
- |
250 |
| 413 |
|
A good stained glass hall lantern with decorated brass
borders. Late Victorian |
450
|
- |
550 |
| 414 |
|
A good coloured glass oil lamp with pink bowl and stem,
ruby glass shade, on a brass and ceramic base |
900
|
- |
1100 |
| 415 |
|
Exceptional marble bust of a bearded gentleman, his
outer buttoned coat covering a buttoned shirt over a folded cravat,
dated 1800 to 1830 |
3000
|
- |
4000 |
| 416 |
|
A good cut glass brass oil lamp with rope twist stem
on a plinth base with four ball feet. Victorian |
450
|
- |
600 |
| 417 |
|
A good mahogany open bookcase with carved corbels on
a plinth base. Victorian |
650
|
- |
750 |
| 418 |
|
A brass fender with bar rail and round finials. Late
Victorian |
280
|
- |
350 |
| 419 |
|
A set of brass fire irons. Edwardian |
120
|
- |
150 |
| 420 |
|
A print, A Typical Tipperary Bank"" |
20
|
- |
40 |
| 421 |
|
A good rosewood eight day wall clock with painted glass
door. Victorian |
280
|
- |
380 |
| 422 |
|
A good mahogany corner cabinet with raised fielded panel
doors. Edwardian |
120
|
- |
200 |
| 423 |
|
A good mahogany bureau with fitted interior, the graduated
drawers with swan neck handles and pierced brass back plates, the
entire resting on bracket feet. Georgian |
900
|
- |
1500 |
| 424 |
|
A good pair of brass figures on black marble bases.
Edwardian |
300
|
- |
400 |
| 425 |
|
A good cut glass decanter with mushroom stopper. Edwardian |
120
|
- |
160 |
| 426 |
|
A good copper kettle. Early Victorian |
90
|
- |
120 |
| 427 |
|
A good walnut coal scuttle with carved door and brass
handles. Edwardian |
200
|
- |
350 |
| 428 |
|
Excellent quality mahogany chest, the inlaid feathered
mahogany graduating drawers with brass lion mask handles and drop
rings above a shaped and inlaid apron sits well on carved acanthus
and bold lion paw feet. Early Victorian |
850
|
- |
1200 |
| 429 |
|
Exceptional quality gilt mantle clock by G. Taylor and
Son Paris. The case with gilded foliage and a painted porcelain panel
sits on a marble base and stands on four gilded feet. The entire rests
on a burgundy and gilt plinth. Early Victorian |
1400
|
- |
1800 |
| 430 |
|
A pair of hand painted lustres with floral decoration
and cut glass drops. Victorian |
600
|
- |
750 |
| 431 |
|
A pair of hand painted Bristol blue vases. Edwardian |
120
|
- |
160 |
| 432 |
|
A brass carriage clock with painted porcelain panels |
180
|
- |
250 |
| 433 |
|
ARTHUR MADERSON, oil on board. signed and inscribed
verso"Bargain Hunters" |
5500
|
- |
6500 |
| 434 |
|
ARTHUR HACKER R.A. A good oil on canvas portrait of
Reginald J. Lake Esq. Presentation plaque affixed to gilt frame. Signed
verso 1919 |
1500
|
- |
2500 |
| 435 |
|
Exceptional quality walnut three bottle tantalus, the
decorative mounts and carrying handles are solid silver, London 1896 |
2200
|
- |
2800 |
| 436 |
|
A superb pair of bronze and gilt brass canderlabra,
the bronze cherub resting against a gilded branch admiring his collection
of flowers. The entire on a circular marble base supported by scrolling
feet. Victorian |
1800
|
- |
2500 |
| 437 |
|
Excellent quality mahogany serving table. The panelled
frieze with two drawers sits on well carved scrolled legs. William
IV |
6000
|
- |
8000 |
| 438 |
|
A good brass coal helmet with floral decoration and
turned mahogany handle. Victorian |
340
|
- |
400 |
| 439 |
|
ARTHUR ARMSTRONG R.H.A. 1924 - 1996, pen and ink on
paper. inscribed verso "Station of the Cross" |
1000
|
- |
1300 |
| 440 |
|
Exceptional quality canteen of cutlery by Mappin & Webb,
Oxford Street, London. The exceptional mahogany case with Adams style
brass handles and carved tulip bells sits well on tapering legs. The
incomplete contents of silver plate and bone handled cutlery carry
engraved monograms. Edwardian |
1200
|
- |
1600 |
| 441 |
|
A good eight day wall clock. Faller, Galway. Victorian |
600
|
- |
750 |
| 442 |
|
A good Kingwood ladies writing desk with pierced brass
gallery. The drawers crossbanded with gilded handles. The entire on
tapering legs. Edwardian |
1800
|
- |
2200 |
| 443 |
|
Excellent quality silver plated three bottle tantalus,
the cut glass bottles with diamond cut stoppers. The centre bottle
framed by a spiral twist supports and a arch carrying handle. Edwardian,
as found |
300
|
- |
450 |
| 444 |
|
A silver plated desk set with glass shell ink wells
below winged cherubs grasping a candle sconce and snuffer. Late Edwardian |
80
|
- |
150 |
| 445 |
|
An icon, Christ, oil on panel, 19th century |
250
|
- |
350 |
| 446 |
|
A mahogany bureau bookcase with associated top. Basically
George III |
2200
|
- |
2600 |
| 447 |
|
A quality satinwood occasional table with hand painted
portrait and floral decoration on tapering legs joined by a shaped
cross stretcher. Late Victorian |
450
|
- |
650 |
| 448 |
|
KEVIN SHARKEY. Acrylic on board. Donde" " |
4000
|
- |
5000 |
| 449 |
|
A superb quality rosewood serpentine console table.
the shaped frieze with a gilded oyster shell motif above carved and
gilded cabriole legs. The shaped stretcher with Fleur-De-Lys centre.
All in all a desirable piece of furniture. Victorian |
2500
|
- |
4000 |
| 450 |
|
An exceptional gilt mirror, the oval mirror with beaded
and tulip bell decoration supported by tapering pillars with climbing
foliage and fastened by two gilt leaves. The base with supporting
mirrors and foliage decoration is typical of its ostentatious period.
Rarely does a mirror of this calibre find its way to the market place |
4500
|
- |
5000 |
| 451 |
|
Superb quality Bureau de Dame inlaid in mother of pearl
and brass. The central door with an oval porcelain plaque. The folding
writing slope with tooled leather, the entire adorned with gilt mounts,
the interior finished in birch |
3500
|
- |
4500 |
| 452 |
|
ANNIE GAYNOR, oil on canvas, two geese, one gander |
450
|
- |
600 |
| 453 |
|
TONY O'MALLEY H.R.H.A. 1913 - 2003. Mixed Media. Morning,
Trevaylor 1965. Inscribed verso, Stour Gallery Label |
8000
|
- |
10000 |
| 454 |
|
JONATHAN KNUTTEL a signed print "Ladies Day" 38/225 |
400
|
- |
500 |
| 455 |
|
An excellent mahogany longcase clock by James Bonner,
Aberdeen. The painted arch dial emblazoned with masonic symbols flanked
by reeded columns with brass corinthian capitals and surmounted by
a broken swan neck pediment, above a trunk with reeded columns and
an inlaid door resting on ogee bracket feet. Georgian. |
4000
|
- |
5500 |
| 456 |
|
A good walnut knee hole desk, the top cross banded and
inlaid above seven cock beaded flush drawers with swan neck handles
and engraved back plates and a recessed cupboard door. Late Victorian
|
2500
|
- |
3000 |
| 457 |
|
A silver plated wine carrier with pierced decoration
and carrying handle. Late Edwardain |
100
|
- |
140 |
| 458 |
|
A good bronze bust of Bacchus (signed Dellesalle). Late
Victorian |
350
|
- |
450 |
| 459 |
|
A good bronze bust of Narcissus. Victorian |
350
|
- |
450 |
| 460 |
|
MARIE CARROLL, oil on canvas, Trinity Ball"" |
5000
|
- |
6000 |
| 461 |
|
Unusual rosewood sofa table with two inset drawers above
reeded stems joined by a double turned stretcher. The entire resting
on outswept legs on brass paw feet. William IV |
2500
|
- |
3000 |
| 462 |
|
A good cut glass table centre piece on detachable base
(possibly Cork). Late Victorian |
240
|
- |
300 |
| 463 |
|
A lovely engraved claret jug with applied hand and silver
plated lid. Victorian |
320
|
- |
400 |
| 464 |
|
A quality silver plated vinaigrette with six cut glass
bottles, salts and mustards resting on bun feet. Late Victorian |
320
|
- |
380 |
| 465 |
|
A superb quality mahogany cheval mirror in the Adams
style. The shaped mirror supported by reeded columns with urn finials
resting on carved and reeded outswept legs with brass capped toes.
Victorian |
1800
|
- |
2500 |
| 466 |
|
A handmade Hamadam from North West Iran. 232cm x 140cm.
Tag verso. Approximately forty years old |
250
|
- |
350 |
| 467 |
|
Exceptional quality rosewood card table with a carved
tulip stem on a shaped platform base with carved feet. William IV
|
2000
|
- |
2500 |
| 468 |
|
Superb quality rosewood sewing table with brass inlay
on a turned stem on three outswept legs with lion paw brass toes and
castors, Regency |
1800
|
- |
2200 |
| 469 |
|
A quality pair of mahogany hall chairs, the back profusely
carved above serpentine seats over turned legs. Victorian |
600
|
- |
900 |
| 470 |
|
A quality rosewood library table with inset drawers
and star cut handles resting on a carved and turned base with a good
turned stretcher. William IV |
1700
|
- |
2000 |
| 471 |
|
A rare 2nd period Belleek charger. the flared rim with
green tinting and impressed finger moulds around reeded tapering indentations
meeting a circular moon beneath a scalloped border |
900
|
- |
1200 |
| 472 |
|
A good handmade Hamadam from North West Iran, size 238cm
x 125cm |
180
|
- |
250 |
| 473 |
|
A good rosewood games table, the sliding chess board
covers a storage compartment. The fitted drawers with cabinet makers
label from Dennis Carver, Leicester |
2600
|
- |
3000 |
| 474 |
|
Unusual rosewood sewing table with rope twist borders,
the upper lid with pattern compartments and 2nd compartment for sewing
utensils above a pull out drawer. The entire on barley twist supports.
Victorian |
1600
|
- |
2000 |
| 475 |
|
Excellent quality rosewood writing table, the sliding
top reveals a fitted interior, the shaped base rests on four carved
feet |
900
|
- |
1300 |
| 476 |
|
A silver two handled sauce boat with double spout, standing
on an oviform pedestal foot, B'Ham 1909 |
100
|
- |
150 |
| 477 |
|
A pair of etched glass salt and pepper shakers with
silver mounts, B'Ham 1912, and a matching sugar sifter, B'Ham 1913 |
60
|
- |
100 |
| 478 |
|
Large jewellery casket on four feet with presentation
inscription (contemporary) by Adie Bros. B'Ham 1926 |
200
|
- |
250 |
| 479 |
|
A well carved ivory figure of a geisha girl on a carved
wooden base. Approx 8 inches |
320
|
- |
420 |
| 480 |
|
Irish heavy quality silver bowl with twin eyelet handles
and Celtic revival decoration 11 3/4 oz, by Thomas Weir. Dublin 1930 |
500
|
- |
600 |
| 481 |
|
Irish silver 5 bowl with Celtic revival decoration by
Alwright & Marshall. Dublin 1970" |
400
|
- |
500 |
| 482 |
|
A good pair of silver candlesticks of oviform shape,
the tapering stems resting on pedestal feet, Sheffield 1920 |
650
|
- |
750 |
| 483 |
|
A silver bonbon dish with pierced decoration, resting
on three paw feet. Sheffield 1912 |
100
|
- |
150 |
| 484 |
|
A silver balluster form claret jug with reeded decoration
resting on a pedestal base by James Dixon, Sheffield 1906 |
350
|
- |
400 |
| 485 |
|
A silver urn shaped pepper pot resting on a square foot,
Sheffield 1896 |
90
|
- |
120 |
| 486 |
|
A silver bonbon dish with pierced decoration and reef
knot handle 1908 |
120
|
- |
150 |
| 487 |
|
A well carved ivory Japanese puzzle ball on a carved
and turned stand |
120
|
- |
180 |
| 488 |
|
Irish heavy quality tankard with Celtic revival decoration.
Dublin 1970 |
350
|
- |
450 |
| 489 |
|
A silver cream jug on four paw feet with bird beak spout
by Mappin & Webb, B'Ham 1923 4oz |
140
|
- |
180 |
| 490 |
|
Six various Georgian old English pattern tablespoons,
various makers and dates. 1769 - 1810 |
200
|
- |
280 |
| 491 |
|
A pair of silver salts with decorated rims on three
paw feet, and associated silver spoons, London 1896 |
140
|
- |
180 |
| 492 |
|
Six Irish old Irish point silver teaspoons, five with
boars head crest by John Dalrymple, Dublin c. 1790 and one matching
spoon also Dublin c. 1790s |
180
|
- |
250 |
| 493 |
|
Six silver old English pattern tablespoons with crest
and motto, 12 1/2 oz. London 1763 |
280
|
- |
350 |
| 494 |
|
A silver pepper pot with ribbon and swag decoration,
Chester 1899 |
30
|
- |
50 |
| 495 |
|
A silver oviform pill box with rococco decoration, B'Ham
1896 |
30
|
- |
40 |
| 496 |
|
As set of six old Irish point dessert spoons with bright
cut decoration by Michael Keating. Dublin 1789 |
450
|
- |
550 |
| 497 |
|
A pair of swing handed silver bon bon dishes with pierced
bowls and scrolled rims by H. Matthews, B'Ham 1900 |
150
|
- |
250 |
| 498 |
|
A silver wine funnel with gadrooned rim, the bowl stamped
William Bateman, London c.1810 |
450
|
- |
550 |
| 499 |
|
A silver wine funnel stand with gadrooned rim, London
1801 |
180
|
- |
250 |
| 500 |
|
An ornate silver bonbon dish with pierced and raised
decoration by Martin Hall, 7 1/2 inches, Sheffield 1892 |
140
|
- |
180 |
| 501 |
|
A fine quality George IV silver snuff box with raised
floral thumbpiece, gilt interior and concave sides, by Nathaniel Mills
3 1/2oz, , B'Ham 1825 |
580
|
- |
680 |
| 502 |
|
A superb quality carved ivory group on a naturalistic
base depicting two reclining figures |
220
|
- |
300 |
| 503 |
|
A rare silver old English pattern straining spoon, 11
3/4 inches, by William Tuite, London 1775 |
700
|
- |
900 |
| 504 |
|
Set of four heavy quality boat shaped bonbon dishes
with pierced bright cut decoration by Henry Atkins, Sheffield 1911 |
280
|
- |
380 |
| 505 |
|
A solid silver stilton scoop with silver haft and bone
handle, Sheffield 1912 |
140
|
- |
180 |
| 506 |
|
An oviform mustard pot with gadrooned rim and urn finial,
complete with blue glass liner, Sheffield 1893 |
120
|
- |
160 |
| 507 |
|
A pair of silver mustard pots with pierced decoration
and blue glass liners |
50
|
- |
80 |
| 508 |
|
A silver pill box with raised decoration to lid and
pie crust rim, B'Ham 1899 |
30
|
- |
50 |
| 509 |
|
Irish old Irish point pattern dessert spoon with bright
cut decoration by William Ward (Limerick Maker). Dublin 1788 |
100
|
- |
150 |
| 510 |
|
A silver heart shaped pill box with a decorative lid,
B'Ham 1903 |
20
|
- |
30 |
| 511 |
|
Pair of Irish wine coasters 3 1/2 inch diameter, by
Michael D Hillier. Dublin 1989 |
250
|
- |
300 |
| 512 |
|
A set of three old English pattern silver condiment
spoons by Robert Rutland, London 1810 |
100
|
- |
150 |
| 513 |
|
A silver double ended marrow scoop, crested, London
1840 |
280
|
- |
350 |
| 514 |
|
A set of four fiddle pattern condiment spoons by Richard
Williams, London 1847 |
100
|
- |
150 |
| 515 |
|
A silver oviform pill box with rococco decoration by
Deakin & Francis, B'Ham 1903 |
30
|
- |
40 |
| 516 |
|
A silver mustard pot with pierced decoration and blue
glass liner, London 1911, and associated silver spoon |
80
|
- |
120 |
| 517 |
|
A silver toddy ladle with inset silver coin, dated 1774,
with a spiral twist whalebone handle |
480
|
- |
580 |
| 518 |
|
Pair of Irish old English pattern sauce ladles with
rattail bowls and bright cut decoration, Dublin 1816 |
650
|
- |
750 |
| 519 |
|
A set of six Irish silver fiddle pattern dessert spoons
by James Smyth, Dublin 1857 |
320
|
- |
420 |
| 520 |
|
Six Irish fiddle pattern silver dessert spoons, five
by James Smyth, Dublin 1857 and one by John Power, Dublin 1810 |
280
|
- |
380 |
| 521 |
|
a large Irish silver salver with pie crust rim resting
on three scroll feet, 12 1/2 inches, Dublin 1950 |
500
|
- |
600 |
| 522 |
|
An Irish silver caddy spoon, the handle in the form
of the Genninsheen collar, Dublin 1973 |
40
|
- |
60 |
| 523 |
|
a cased silver christening set, old English pattern,
B'Ham 1939 |
40
|
- |
60 |
| 524 |
|
Two silver napkin rings, one B'Ham 1907, and one B'Ham
1951, and one other napkin ring |
20
|
- |
30 |
| 525 |
|
A silver mounted pin cushion with entwined leaf decoration,
Chester c.1900 |
10
|
- |
20 |
| 526 |
|
A good silver belt buckle with champleve enamel decoration,
B'Ham 1911 |
50
|
- |
100 |
| 527 |
|
A good quality silver card case decorated with a central
floral motif and leaf filled borders, B'Ham 1874 |
60
|
- |
100 |
| 528 |
|
A silver sugar tongs with bright cut decoration, London
1808 |
80
|
- |
120 |
| 529 |
|
An Irish silver salver with pie crust rim and three
scroll feet. 10 1/4 inches. Dublin 1973 |
400
|
- |
500 |
| 530 |
|
A good set of four silver salts with semi reeded bowls
and gilt interiors, London 1882 |
400
|
- |
600 |
| 531 |
|
A cased manicure set with silver mounts and handles,
B'Ham 1904 |
40
|
- |
60 |
| 532 |
|
A silver fiddle pattern basting spoon 12 inches, London
1819 |
180
|
- |
240 |
| 533 |
|
Irish fiddle pattern fish slice with bright cut engraved
decoration of a salmon by James Brady, Dublin 1830 |
700
|
- |
900 |
| 534 |
|
A good sterling silver child's rattle with open fret
drum decorated with flowers |
150
|
- |
200 |
| 535 |
|
A large silver cigarette case by Mappin & Webb, London
1952 |
40
|
- |
60 |
| 536 |
|
Three silver spirit labels, port, whisky and brandy,
Sheffield 1975 |
40
|
- |
50 |
| 537 |
|
A good pair of oviform silver salts with ribbed decoration
and bright cut frieze B'Ham 1917 and two salt spoons, Sheffield 1897
and London 1920 |
80
|
- |
120 |
| 538 |
|
A pair of silver shoe buckles 18th century, possibly
by George Burdon, London c.1750 - 1770 |
80
|
- |
120 |
| 539 |
|
A set of four silver fiddle pattern serving spoons,
Edinburgh 1815 |
320
|
- |
400 |
| 540 |
|
Six silver old English dessert spoons, five by Alexander
Henderson, Edinburgh 1816, and one by George Wintle, London 1808 |
200
|
- |
250 |
| 541 |
|
Solid silver necklace with a large amethyst stone |
250
|
- |
300 |
| 542 |
|
9ct gold diamond and ruby ring |
150
|
- |
200 |
| 543 |
|
Solid silver brooch with nine garnets |
140
|
- |
180 |
| 544 |
|
Solid silver brooch with jet inset |
60
|
- |
80 |
| 545 |
|
9ct gold diamond and sapphire ring |
280
|
- |
400 |
| 546 |
|
Wedgwood pendant in silver mount |
10
|
- |
20 |
| 547 |
|
9ct gold horseshoe stick pen |
40
|
- |
60 |
| 548 |
|
18 ct white gold three stone diamond ring purchased
Lazlo Jewellers 15/10/04 for Ç1125. (receipt in office) |
400
|
- |
500 |
| 549 |
|
9ct gold agate stick pin |
50
|
- |
80 |
| 550 |
|
9ct diamond and sapphire ring |
160
|
- |
220 |
| 551 |
|
Antique 9ct gold curb link bracelet with padlock |
350
|
- |
400 |
| 552 |
|
Antique gold snake stock pin |
80
|
- |
100 |
| 553 |
|
18 inch solid silver link necklace with diamond cut
facets |
380
|
- |
480 |
| 554 |
|
9ct gold cameo brooch |
160
|
- |
200 |
| 555 |
|
9ct gold with inset oval amethyst stone |
120
|
- |
200 |
| 556 |
|
Antique 18ct gold Connemara marble bar brooch |
150
|
- |
200 |
| 557 |
|
Solid silver necklace with mother of pearl insets |
350
|
- |
450 |
| 558 |
|
9ct gold Albert chain and T. Bar, approx 44 grams |
650
|
- |
800 |
| 559 |
|
9ct gold horseshoe brooch, Chester 1891 |
120
|
- |
180 |
| 560 |
|
9ct gold with large inset garnet |
120
|
- |
200 |
| 561 |
|
9ct gold bangle set with ruby and pearls |
300
|
- |
350 |
| 562 |
|
9ct gold ring with inset smokey diamond |
120
|
- |
200 |
| 563 |
|
9ct gold Edward VII Albert chain wilt T. bar |
440
|
- |
500 |
| 564 |
|
9ct gold cameo |
80
|
- |
120 |
| 565 |
|
Antique gold pin with hard stone scarab |
60
|
- |
80 |
| 566 |
|
14 ct gold quartz brooch or pendant |
340
|
- |
400 |
| 567 |
|
9ct gold diamond and sapphire ring |
130
|
- |
200 |
| 568 |
|
9ct gold shell cameo brooch |
80
|
- |
140 |
| 569 |
|
Solid silver bracelet with eight amethyst stones |
200
|
- |
300 |
| 570 |
|
Diamond cluster ring 1.30ct mounted in white gold |
650
|
- |
800 |
| 571 |
|
Art-Deco style solid silver watch with diamond cut facets |
180
|
- |
250 |
| 572 |
|
Antique 9ct gold rope link chain with locket |
450
|
- |
550 |
| 573 |
|
Antique amethyst and pearl brooch in the form of a Maltese
cross |
220
|
- |
280 |
| 574 |
|
9ct gold shell cameo brooch |
150
|
- |
250 |
| 575 |
|
9ct gold brooch with large garnet stone |
80
|
- |
100 |
| 576 |
|
Solid silver necklace with large inset blue topaz |
300
|
- |
380 |
| 576 |
A |
Solid silver turtle with thirteen mother of pearl inset |
130
|
- |
160 |
| 577 |
|
Antique 18ct gold link Albert |
500
|
- |
600 |
| 578 |
|
18 ct gold cluster diamond ring .35ct, 55 diamonds |
600
|
- |
700 |
| 579 |
|
Antique 18ct gold turquoise five stone ring with diamond
points |
450
|
- |
550 |
| 580 |
|
9ct gold shell cameo brooch |
220
|
- |
300 |
| 581 |
|
Antique amethyst and pearl cluster ring mounted in 9ct
gold |
270
|
- |
370 |
| 582 |
|
9ct gold shell cameo brooch |
160
|
- |
240 |
| 583 |
|
9ct gold shell cameo ring |
140
|
- |
180 |
| 584 |
|
Solid silver bracelet with mother of pearl inset |
120
|
- |
160 |
| 585 |
|
Solid silver brooch with mother of pearl |
140
|
- |
180 |
| 586 |
|
9ct gold cameo brooch |
80
|
- |
120 |
| 587 |
|
Antique gold engine turned locket |
100
|
- |
130 |
| 588 |
|
Solid silver bracelet with 16 mother of pearl insets |
160
|
- |
220 |
| 589 |
|
Solid silver bracelet with nine inset blue topaz stones
|
160
|
- |
220 |
| 590 |
|
9ct gold garnet ring |
130
|
- |
180 |
| 591 |
|
9ct gold garnet ring |
120
|
- |
200 |
| 592 |
|
9ct gold garnet ring |
140
|
- |
200 |
| 593 |
|
9ct gold ringwith inset garnets |
100
|
- |
150 |
| 594 |
|
Diamond & sapphire ring with 9ct gold band |
250
|
- |
350 |
| 595 |
|
Antique 9ct gold engraved locket |
80
|
- |
120 |
| 596 |
|
9ct gold shell cameo brooch |
200
|
- |
260 |
| 597 |
|
Antique 15 st gold ruby and pearl set brooch |
240
|
- |
280 |
| 598 |
|
9ct gold shell cameo earings |
90
|
- |
140 |
| 599 |
|
A good dome topped mahogany wine cooler, the edges inlaid
in box wood with a fitted drawers beneath. The entire on short tapering
legs with brass cupped casters |
1400
|
- |
1800 |
| 600 |
|
A good rosewood teapoy with a shaped casket on turned
and carved pod, the platform base rests on bun feet with miniature
brass casters |
750
|
- |
1000 |
| 601 |
|
A Majolica jardiniere with embossed leaves and vines.
Victorian |
550
|
- |
650 |
| 602 |
|
Excellent quality mahogany extending dining table to
seat twelve comfortably. 118 inches x 56 inches. the rounded corner
table sits on four well turned legs and rests on brass cup casters.
either or all of the three centre leaves may be removed to shorten
the table as desired. Mid Victorian |
5000
|
- |
7000 |
| 603 |
|
A good set of twelve shield back dining chairs with
sheaf of wheat carved decoration in the Hepple white style. the bowed
seats rests on fluted tapering legs and spade feet. Late Edwardian |
3200
|
- |
3800 |
| 604 |
|
A good pair of Dresden style canderlabra, the sconces
encrusted with flowers and vines supported by maidens and cherubs.
The entire resting on four flower encrusted feet and shell motifs. |
650
|
- |
850 |
| 605 |
|
A good Majolica table centre piece encrusted with flowers
and leaves and two horned goat heads. the entire resting on four short
reeded feet. Victorian |
300
|
- |
500 |
| 606 |
|
Exceptional quality gilt metal eight light chandelier
with silvered glass stem to reflect the candle light. Mid Victorian
|
1500
|
- |
1800 |
| 607 |
|
A good bisque bust by the Art Union of London 1863.
C.Delpech.Red.T |
550
|
- |
700 |
| 608 |
|
A good brass carriage clock by Chadburns of Castle Street,
Liverpool. Victorian |
550
|
- |
650 |
| 609 |
|
Excellent quality rosewood tea caddy in the casket form,
the case inlaid in mother of pearl with turned carrying handles. The
interior beautifully fitted with two tea canisters and a glass mixing
bowl. Early Victorian |
850
|
- |
1100 |
| 610 |
|
MARKEY ROBINSON, oil on board. Abstract Forms, Oriel
Gallery label verso |
1800
|
- |
2500 |
| 611 |
|
JANE O'MALLEY, oil on baord. The Green And Black Jug
No.2". Inscribed verso" |
1700
|
- |
2000 |
| 612 |
|
A good set of four early clear glass port glasses on
ringed stems and wide bases. William IV |
120
|
- |
150 |
| 613 |
|
A good pair of armorial hand painted flasks with floral
decoration, the centred motifs with crowned lion and unicorn. Edwardian |
400
|
- |
500 |
| 614 |
|
Superb quality marquetry and walnut credenza, the shaped
top crossbanded in satinwood and two walnut oyster insets sit over
exceptional quality floral marquetry which surrounds bowed and glazed
doors. The entire is adorned with egg and dart brass beading and gilt
mounts. Mid Victorian |
5000
|
- |
6500 |
| 615 |
|
MARKEY ROBINSON, oil on board. The Gable End |
2800
|
- |
3500 |
| 616 |
|
A pair of hand painted porcelain wall plaque in painted
frames |
40
|
- |
60 |
| 617 |
|
Exceptional pair of bronze and metal door stops. the
winged lion with raised paw shows the foundry registration mark on
the inner side of the standing leg. Victorian |
550
|
- |
650 |
| 618 |
|
A good brass ships compass by H.G.JOHANNESEN and CO.
The outer brass case stamped AZIMUTH circle. Victorian |
750
|
- |
1000 |
| 619 |
|
A hand made Iranian Turkaman 204 x 61cm |
140
|
- |
200 |
| 620 |
|
Superb quality mahogany teapoy. The casket with gilded
handles and back plates and decorative brass trimming sits above a
spiral turned stem joined by four outswept legs perched on brass paw
feet. Regency |
2500
|
- |
3000 |
| 621 |
|
A good pair of mahogany window seats enhanced by end
rolls. the entire resting on turned legs. Late Victorian |
950
|
- |
1300 |
| 622 |
|
A good rosewood card table on an unusual double fluted
pod joined by a barley twist and turned cross stretcher. the entire
resting on well carved cabriole legs. Stamped W and C Wilkinson, 14
Ludgate Hill, London. Victorian |
1300
|
- |
2000 |
| 623 |
|
A good mahogany chess/sofa table. The sliding top reveals
a backgammon board beneath in tooled leather, with brass handled drawers
over tapering legs resting on brass cupped casters. |
2200
|
- |
2600 |
| 624 |
|
A good pair of marquetry chests with burgundy coloured
marble tops. The drawers with gilt metal handles rests on turned and
gilded legs |
2200
|
- |
2800 |
| 625 |
|
A slate and marble mantle clock with engraved floral
design. Victorian |
100
|
- |
150 |
| 626 |
|
A silvered metal figure of a dancing lady in 1930's
dress |
80
|
- |
120 |
| 627 |
|
A slate and green marble mantle clock with visible escapement.
Victorian |
250
|
- |
320 |
| 628 |
|
FELIM EGAN. Oil on board, signed verso |
2000
|
- |
2500 |
| 629 |
|
A good Wedgwood biscuit barrel with silver plated lid
and handle |
140
|
- |
180 |
| 630 |
|
A good quality mahogany chiffionier. The stepped back
with serpentine shelves and carved supports over one long drawer and
blind doors. The entire resting on lion paw feet. Early Victorian
|
1200
|
- |
1700 |
| 631 |
|
A good silver plated stilton scoop with bone handle.
Victorian |
90
|
- |
120 |
| 632 |
|
A good silver plated crumb tray with bone handle. Late
Victorian |
40
|
- |
60 |
| 633 |
|
Silver plated and bone handled silton spoon. Late Victorian
|
30
|
- |
40 |
| 634 |
|
A good silver plated carrying fork with a spiral twist
bone handle and gilt mounts. Victorian |
30
|
- |
50 |
| 635 |
|
An early Belleek bowl, some damage |
220
|
- |
300 |
| 636 |
|
a good quality silver plated asparagus tongs with pierced
decoration. Victorian |
100
|
- |
140 |
| 637 |
|
A fine pottery shell group, damaged, stamped on base |
100
|
- |
150 |
| 638 |
|
A fine pottery weaved basket encrusted with flowers.
Victorian |
100
|
- |
150 |
| 639 |
|
A fine pair of hand painted claret jugs with original
stoppers. Victorian |
140
|
- |
200 |
| 640 |
|
PATRICK MULDOWNEY .,Oil on canvas board. Tribute To
Markey"" |
450
|
- |
600 |
| 641 |
|
A quality figured mahogany Carlton House Desk with fitted
drawers and doors and carved draped letter racks. the adjustable leather
top sits above three drawers with swan neck handles. The entire resting
on four tapering legs and spade feet. Late Victorian |
2500
|
- |
3500 |
| 642 |
|
A pair of brass candlesticks with beaded decoration.
Mid Victorian |
50
|
- |
70 |
| 643 |
|
A good pair of heavy cut glass decanters and stoppers.
Late Victorian |
140
|
- |
180 |
| 644 |
|
SCAWATSCHKE. Scherzo. oil on canvas, inscribed verso |
2000
|
- |
2500 |
| 645 |
|
A quality brass and marble oil lamp. The etched shade
over a clear glass bowl on a brass and marble stem resting on a stepped
brass base. Victorian |
550
|
- |
700 |
| 646 |
|
Superb quality inlaid mahogany display cabinet. The
cornice inlaid in tulip and box wood within a circular motif surrounded
by floral bells. The glazed doors inlaid in herring bone above a concave
set of drawers above a shelf base. The entire resting on inlaid tapering
legs and small bun feet. Edwardian |
2300
|
- |
2800 |
| 647 |
|
A good cut glass pitcher with star cut mushroom stopper
and a silver plated whiskey label. Victorian |
250
|
- |
350 |
| 648 |
|
A box of numerous pocket watches |
120
|
- |
180 |
| 649 |
|
A rare pair of two handled farmers mugs. God Speed the
Plough, farmers poem on rear. Late Victorian |
100
|
- |
140 |
| 650 |
|
A rare Irish cow mug. Late Victorian |
200
|
- |
300 |
| 651 |
|
A good transfer printed mug with flowers and birds.
Victorian |
50
|
- |
80 |
| 652 |
|
A rare hunting mug, transfer printed. Mounted rider
with hounds. Victorian |
90
|
- |
130 |
| 653 |
|
Large Harvest mug with riverside scene |
100
|
- |
150 |
| 654 |
|
Early transfer printed blue and white mug with floral
decoration. Victorian |
50
|
- |
80 |
| 655 |
|
Four boxes of silver plated spoons and forks. Edwardian
and later |
30
|
- |
60 |
| 656 |
|
Two lustre jugs, one early Victorian and one late Victorian
|
80
|
- |
120 |
| 657 |
|
A good ruby glass decanter and stopper. Victorina |
220
|
- |
260 |
| 658 |
|
An excellent quality inlaid mahogany longcase clock,
the brass arch dial with silverised chapter ring with subsidiary dials
for sweep hand and date window below a lunette showing phases of he
moon, surrounded by brass decorated swan neck pediment. The trunk
flanked by reeded columns, framing an inlaid door above an inlaid
base resting on good shaped bracket feet. The whole clock a beautiful
colour and patina |
5500
|
- |
7000 |
| 659 |
|
LORNA MILLER. Acrylic on board. Cockerell"" |
1500
|
- |
2000 |
| 660 |
|
PATRICK ROBINSON O.O.C, still life |
550
|
- |
650 |
| 661 |
|
ANNIE GAYNOR, oil on canvas, inscribed verso "Red Tail" |
450
|
- |
550 |
| 662 |
|
BRIDGET MACDONALD, Charcoal on paper, bears 1988 exhibition
label verso"Bedroom Mirror" |
150
|
- |
250 |
| 663 |
|
MARIE CARROLL, oil on card, Tug Of War"" |
400
|
- |
600 |
| 664 |
|
A good oak hall stand, complete with umbrella trays
and walking stick holders. Victorian |
250
|
- |
350 |
| 665 |
|
A hand painted porcelain plaque in a gilt metal border
mounted on a gilt frame. Victorian |
280
|
- |
350 |
| 666 |
|
MARIE CARROLL, oil on canvas, Deep In The West"" |
1600
|
- |
2000 |
| 667 |
|
Exceptional quality cylinder bureau by Maples & Co,London.
Good figured mahogany inlaid in satinwood with quality brass handles.
The fitted interior with sliding and adjustable writing slope above
six graduated drawers. Right hand top drawers carries makers stamp.
An exceptional desk in original condition. Late Victorian. From a
Galway residence |
2500
|
- |
3500 |
| 668 |
|
A good ruby glass oil lamp and shade with reeded column.
Victorian |
750
|
- |
950 |
| 669 |
|
A rare 2nd period Belleek figure of a maiden draping
an urn with an Irish harp behind |
2400
|
- |
2800 |
| 670 |
|
A good pottery oil lamp, the stem with dancing cherubs
below a flower encrusted reservoir with a good etched glass shade |
650
|
- |
850 |
| 671 |
|
Superb quality inlaid mahogany corner cabinet, the shaped
cornice above checkered band of inlay, below the finely cut astragal
glazed doors, sit above two inlaid blind doors, the entire resting
on bracket feet. |
2000
|
- |
2500 |
| 672 |
|
Exceptional quality double fusee wall clock by Botly
& Lewis Reading, in an oak case with a pierced brass gallery door.
late Victorian |
1200
|
- |
1500 |
| 673 |
|
ANNIE ROBINSON. Oil on canvas, The Day Is Over"" |
3200
|
- |
3600 |
| 674 |
|
ANNIE ROIBINSON. Oil on canvas, Still Life"" |
1600
|
- |
1800 |
| 675 |
|
ANNIE GAYNOR, Watercolour, lower verso"Afternoon Mist
I". Signed lower right |
500
|
- |
650 |
| 676 |
|
A good pair of gilt wall mirrors with candle sconces,
the crest with bowed ribbons and roses above beaded decoration. Victorian
(some damage) |
2200
|
- |
2500 |
| 677 |
|
A good pair of signed prints. Late Victorian |
80
|
- |
140 |
| 678 |
|
A good eight day wall clock, Rowell & Son Oxford, with
a double scroll case. The dial supported by barley twist columns.
Victorian |
550
|
- |
650 |
| 679 |
|
An Icon, oil on panel. Late Victorian |
300
|
- |
400 |
| 680 |
|
ARTHUR MADERSON, mixed media, Shadow"" |
2000
|
- |
2500 |
| 681 |
|
A superb quality blanket chest of well figured mahogany
and good colour with inset brass bands and brass carrying handles,
resting on an outset mahogany base with carved knees and ball and
claw feet. Georgian |
1000
|
- |
1500 |
| 682 |
|
A superb quality marble topped gilt console table, the
serpentine top above an ornately carved and gilded frieze of C scroll
and foliage. The entire resting on cabriole legs joined by an elaborately
carved stretcher on rococco scrolls. Victorian |
4000
|
- |
4500 |
| 683 |
|
A good pair of Minton comports 1874, the pale green
ground with hand painted flowers and insects bordered by a gilt rim
|
200
|
- |
300 |
| 684 |
|
A good Wedgwood bowl on pedestal foot. Late Edwardian |
100
|
- |
150 |
| 685 |
|
A rare mahogany rent table, the tooled leather top above
inset drawers with brass handles. Revolves above a turned stem on
three outswept reeded legs on good lion paw brass toed feet |
4000
|
- |
6000 |
| 686 |
|
A good majolica style oil lamp with etched shade. Edwardian |
250
|
- |
350 |
| 687 |
|
A good mahogany silver table with shaped rim above an
inset drawer with swan neck handles and pierced brass back plates.
the entire resting on cabriole legs. Edwardian |
900
|
- |
1200 |
| 688 |
|
A rare pollard oak combination games and sewing table.
the folding top above two drawers with a pull out sewing box in a
casket form with a shaped and studded apron above a turned and reeded
stretcher joined by carved supports. the entire resting on outswept
legs |
2400
|
- |
3000 |
| 689 |
|
A very unusual pair of good quality inlaid mahogany
occasional chairs with tapering fretted backs above elliptical upholstered
seats resting on inlaid turned legs united by stretchers. Edwardian
|
450
|
- |
650 |
| 690 |
|
A good Hamadam handmade from North West Iran, 191cm
x 100cm |
150
|
- |
250 |
| 691 |
|
A superb quality mahogany tea table. The inlaid frieze
above a ring turned pod. The entire resting on four outswept inlaid
legs with reeded brass toes. George III |
1600
|
- |
2000 |
| 692 |
|
A good barrel shaped coal scuttle with decorated harvest
lid on outswept lion paw and ball feet. Victorian |
250
|
- |
350 |
| 693 |
|
A good pair of gilded shelf mirrors. the entwined ribbons
above a mirror back with two sconces resting on a shelf base with
draping foliage. Edwardian |
2000
|
- |
2500 |
| 694 |
|
Unusual carved oak stool with lift up lid above spiral
carved legs. Victorian |
70
|
- |
100 |
| 695 |
|
SULLIVAN, Galway, a painted print, hunting scene and
a paper cut and water colour picture of a house on a hill |
30
|
- |
50 |
| 696 |
|
A good copper and brass bed warmer with turned mahogany
handle. Victorian |
100
|
- |
140 |
| 697 |
|
A good quality inlaid mahogany display cabinet with
glazed doors above open shelves and centred by a pair of exceptionally
well inlaid door. Late Victorian |
900
|
- |
1400 |
| 698 |
|
A good pair of church candlesticks. Late Victorian |
120
|
- |
150 |
| 699 |
|
A good pair of Stafforshire hounds. Late Victorian |
160
|
- |
220 |
| 700 |
|
A cream ground cheese dish and cover with gilt floral
decoration. Late Victorian |
60
|
- |
90 |
| 701 |
|
A good brass carriage clock. Edwardian |
280
|
- |
350 |
| 702 |
|
A good pair of porcelain figures with encrusted flowers
and game. Edwardian |
250
|
- |
300 |
| 703 |
|
A good oil lamp, the bowl with floral decoration above
a reeded column with anchors resting on a stepped base. |
180
|
- |
250 |
| 704 |
|
TINA CRONIN. Oil on board. Nude"" |
500
|
- |
650 |
| 705 |
|
A good mahogany bureau bookcase with astragal glazed
doors above a bureau base. The entire resting on ball and claw feet.
Late Edwardian |
550
|
- |
750 |
| 706 |
|
OIl on canvas, still life and nude |
100
|
- |
200 |
| 707 |
|
A good pair of silver plated champagne buckets |
200
|
- |
300 |
| 708 |
|
DECLAN O'CONNOR. Oil on canvas. Close Encounters"" |
3200
|
- |
3800 |
| 709 |
|
A good nearly complete oak cased canteen of cutlery
by Mappin & Webb of London comprising of 126 pieces for twelve settings.
Edwardian |
350
|
- |
500 |
| 710 |
|
A good inlaid mahogany chest. The crossbanded and inlaid
above graduating drawers on bracket feet. Late Edwardian |
400
|
- |
500 |
| 711 |
|
After TERRY BRADLEY. A limited edition signed print.
No 21/25 Showgirl"" |
400
|
- |
500 |
| 712 |
|
RITA CONWAY. Watercolour diptych, Landscape V" 1982.
Salomon Gallery label verso." |
200
|
- |
300 |
| 713 |
|
A cylindrical brass coal scuttle with open fret bands,
lions mask handles resting on paw feet. Edwardian |
150
|
- |
200 |
| 714 |
|
A good clean inlaid display cabinet with glazed doors
above a shelf base resting on tapering legs. Edwardian |
500
|
- |
650 |
| 715 |
|
A good brass table gong suspended below two lion head
mask on an oak base. Edwardian |
130
|
- |
180 |
| 716 |
|
ANNIE GAYNOR. Oil on canvas, landscape |
500
|
- |
600 |
| 717 |
|
A good pair of silver plated candlabra. Late Edwardian |
120
|
- |
180 |
| 718 |
|
Shelf of glasses and three silver plated items and a
small silvercut |
20
|
- |
40 |
| 719 |
|
A good inlaid mahogany barometer by Vaghi & Co, Kidderminster,
with silverised dials, surmounted by a broken arch pediment. Early
Victorian |
450
|
- |
550 |
| 720 |
|
After JOHN LEECH. A pair of hand coloured prints. Edwardian |
20
|
- |
40 |
| 721 |
|
A mahogany casket shaped sewing box on square supports
and fretted brackets. Edwardian |
280
|
- |
350 |
| 722 |
|
A good quality rosewood desk inlaid in brass above two
concave doors and supported by reeded columns. The Auctioneers suspect
that it may have been adapted since it was first made. Regency |
1400
|
- |
1800 |
| 723 |
|
A good mahogany sewing table with inset drawer and turned
bone handles with an upholstered sewing box. The entire resting on
good turned legs. Early Victorian |
750
|
- |
950 |
| 724 |
|
An attractive inlaid mahogany Sutherland table with
rounded corners on outswept legs. Victorian |
200
|
- |
300 |
| 725 |
|
An excellent inlaid mahogany longcase clock. the painted
dial with subsidiary second and calendar dials flanked by reeded,
brass capped columns supporting a broken swan neck pediment with eagle
mounted brass orbs. Two reeded pilasters flank a flame mahogany boxwood
and ebony strung door, over a base inlaid with corner fans, resting
on ogee bracket feet. Victorian |
3000
|
- |
4500 |
| 726 |
|
A good walnut inlaid Davenport. The serpentine front
above carved cabriole legs on a plinth base |
900
|
- |
1300 |
| 727 |
|
A good mahogany hall table with a swan neck back above
a curved drawer with quality brass handles. The entire resting on
turned tapering legs. Late Victorian |
650
|
- |
900 |
| 728 |
|
A good circular reading table on a turned stem with
three outswept legs and brass toed casters. George III |
500
|
- |
600 |
| 729 |
|
A good oil lamp heater with large ruby glass shade.
Edwardian |
400
|
- |
500 |
| 730 |
|
A good figured mahogany card table on a turned stem
and splayed base. early Victorian |
600
|
- |
800 |
| 731 |
|
A good mahogany occasional table. The circular top above
a reeded band on reeded tapering legs joined by a circular shelf with
carved supports |
220
|
- |
320 |
| 731 |
A |
A good pair of painted bronze Marley horses on naturalistic
bases, signed Coustou |
2200
|
- |
2600 |
| 732 |
|
A marble topped bedside locker with shaped door below
an inset drawer. The entire on a plinth base. Victorian |
140
|
- |
180 |
| 733 |
|
A good world globe on a cast iron base. Late Victorian |
120
|
- |
200 |
| 734 |
|
A good mahogany Sutherland table with railed side and
tapering outswept legs |
150
|
- |
250 |
| 735 |
|
A good quality mahogany bureau with fitted interior
above four graduating drawers with swan neck brass handles. The entire
resting on bracket feet. Victorian |
750
|
- |
1100 |
| 736 |
|
A good oak cased mantle clock with steel and brass dial
and brass mounts. Late Edwardian |
320
|
- |
380 |
| 737 |
|
A good carved oak coal box with a ribboned brass handle
and a carved mask door. Victorian |
160
|
- |
200 |
| 738 |
|
A good eight day wall clock with a painted panel door.
Victorian |
250
|
- |
350 |
| 739 |
|
A good oil on canvas, Interior cottage scene, indistinctly
signed and dated |
300
|
- |
500 |
| 740 |
|
MARKEY ROBINSON. Oil on board. Abstract Castle. Oriel
gallery label verso |
2000
|
- |
3000 |
| 741 |
|
A good brass oil lamp with reeded column, a white bowl
and a etched glass shade. Late Victorian |
350
|
- |
400 |
| 742 |
|
A good silver plated double bucket wine cooler |
100
|
- |
150 |
| 743 |
|
A superb quality satinwood bedroom suite, comprising
two wardrobes, one 4ft 6 bed, a dressing table and one bedside locker.
The entire suite is of exceptional quality being inlaid in oval panels
and having quality fittings |
5500
|
- |
6500 |
| 744 |
|
MARIE CARROLL. Oil on board. Back At Anchor"" |
3200
|
- |
3800 |
| 745 |
|
A silver plated ice bucket |
50
|
- |
70 |
| 746 |
|
A quality walnut cellerette. the inlaid lid above canted
corners with gilt metal mounts. The entire resting on a shaped plinth |
650
|
- |
900 |
| 747 |
|
A good reclining gentleman's armchair with shaped arms
and reeded legs. William IV. Reclining mechanism needs attention |
350
|
- |
400 |
| 748 |
|
T.O LEACH 1908. OIl on canvas. Fishing by a river |
100
|
- |
0 |
| 749 |
|
A framed watercolour |
40
|
- |
60 |
| 750 |
|
A good pair of seven light gilt metal canderlabra one
with damage. Victorian |
400
|
- |
500 |
| 751 |
|
F O'CONNOR. Oil on board. Old Cottage |
20
|
- |
30 |
| 752 |
|
S K MITCHELL. Oil on canvas. Hunting scene |
1200
|
- |
1400 |
| 753 |
|
TOM KUS. A water colour of the Royal canal Dublin. Indistinctly
signed |
200
|
- |
300 |
| 754 |
|
A framed tapestry. Edwardian |
30
|
- |
40 |
| 755 |
|
TOM KUS. A watercolour. Cottage in a valley |
200
|
- |
300 |
| 756 |
|
MARTIN HANDSLEY COPPER. Oil on card. Craxton Wood. Member
of Orchestral Maneuvres in the Dark |
100
|
- |
200 |
| 757 |
|
After Snaffles. Three hunting prints |
250
|
- |
300 |
| 758 |
|
TERRY BRADLEY. Oil on canvas. Two Girls". Signed and
inscribed verso" |
1500
|
- |
1800 |
| 759 |
|
A good painted m,mahogany drawing room couch, covered
with pale blue upholstered, with outswept arms over a serpentine seat
resting on five carved cabriole legs. Edwardian |
500
|
- |
800 |
| 760 |
|
A good copper coal helmet of large proportions. Victorian
|
250
|
- |
300 |
| 761 |
|
A good satinwood bedside locker on reeded tapering legs.
Edwardian |
320
|
- |
380 |
| 762 |
|
A good rosewood sewing box with fitted interior. Victorian
|
80
|
- |
120 |
| 763 |
|
A good gilt mirror with floral swags. Late Victorian
|
400
|
- |
600 |
| 764 |
|
MARKEY ROBBINSON. Gouache on paper. Home For Shelter".
Oriel Gallery verso" |
1200
|
- |
1600 |
| 765 |
|
Exceptional quality pier mirror with gilded ribbons
and floral sprays. the shaped base with three candle sconces. Victorian
|
1200
|
- |
1800 |
| 766 |
|
A good pair of mahogany marble topped Demi-Lune console
tables, resting on turned and reeded tapering legs. Victorian |
1400
|
- |
1800 |
| 767 |
|
A rare pair of Staffordshire mounted horsemen, one The
Duke of Connaght, the other Sir G.Wolseley |
800
|
- |
1000 |
| 768 |
|
A brass cased mantle clock. the waisted body in the
rococco manner containing an enamel dial and French Movement. Edwardian
|
250
|
- |
350 |
| 769 |
|
Lovers group on the garden steps encrusted with flowers |
120
|
- |
150 |
| 770 |
|
Exceptional quality mantle clock with gilt metal floral
swag in a glass dome. Victorian |
650
|
- |
850 |
| 771 |
|
A good brass figure of a boy carrying a basket. Late
Edwardian |
80
|
- |
120 |
| 772 |
|
An ogee wall clock in a mahogany case with a painted
view of Braodway, New York. Victorian |
120
|
- |
180 |
| 773 |
|
An excellent quality vitrine kingwood cabinet with concave
sides. the borders in brass bands, below the glass door a boxed panel
over shaped legs with brass metal mounts. Late Victorian |
1800
|
- |
2500 |
| 774 |
|
A good pair of upholstered walnut drawing room chairs
with outswept arms. The entire resting on turned and reeded legs .
Victorian |
700
|
- |
850 |
| 775 |
|
A good upholstered bedroom stool with carved and reeded
legs. William IV |
100
|
- |
150 |
| 776 |
|
A superb quality mahogany tea table. The cross banded
top above a ring turned stem resting on a four outswept legs with
carved knees and brass capped toes. Early Victorian |
1300
|
- |
1800 |
| 777 |
|
A good mahogany chest of drawers with turned handles
on a plinth base. Victorian |
400
|
- |
500 |
| 778 |
|
A mahogany crutch mirror. The shaped top supported by
turned supports. The entire resting on a shaped base. |
140
|
- |
180 |
| 779 |
|
A good mahogany chest of two over three drawers with
turned handles resting on bracket feet. Victorian |
400
|
- |
500 |
| 780 |
|
A mahogany toilet mirror with turned supports. Mid Victorian
|
80
|
- |
100 |
| 781 |
|
Two pottery jelly moulds. Victorian |
60
|
- |
80 |
| 782 |
|
A good nest of four mahogany tables with turned supports.
Edwardian |
700
|
- |
900 |
| 783 |
|
Excellent quality rosewood library table. The top bordered
with egg and dart carving above turned and carved support. William
IV |
2200
|
- |
3000 |
| 784 |
|
A pair of Staffordshire dogs. Victorian |
180
|
- |
250 |
| 785 |
|
Excellent quality four door mahogany bookcase, with
carved corbels and glazed doors above four feathered mahogany and
carved doors on a plinth base. Early Victorian |
4000
|
- |
6000 |
| 786 |
|
A Hammond electric organ |
400
|
- |
600 |
| 787 |
|
good oval gilt mirror with egg and dart decoration.
Edwardian |
200
|
- |
250 |
| 788 |
|
A cream painted console table with shaped mahogany top.
Edwardian |
700
|
- |
900 |
| 789 |
|
An oval inlaid mahogany wall mirror. Edwardian |
60
|
- |
90 |
| 790 |
|
A good carved mahogany display cabinet. The shaped glazed
doors above carved panels. The entire on cabriole legs with carved
knees. Victorian |
|
|
|
| 791 |
|
Unsigned. Charcoal on paper |
80
|
- |
120 |
| 792 |
|
MARY SHEMITT. Charcoal on paper. In the studio |
80
|
- |
120 |
| 793 |
|
A good eight day wall clock with painted glass door.
Victorian |
250
|
- |
350 |
| 794 |
|
A good mahogany serpentine mahogany table on turned
supports. Victorian |
1500
|
- |
1800 |
| 795 |
|
A gothic prayer chair with carved back, the lift up
seat above turned and fluted legs. Victorian |
40
|
- |
80 |