| Lot |
Description |
Estimate
|
| 1 |
An oak single door wardrobe. Mid 20th Century. |
20
|
~ |
50
|
| 2 |
Two collapsible chairs |
10
|
~ |
20
|
| 3 |
Two bamboo what-knots. |
30
|
~ |
50
|
| 4 |
Three boxes of Christmas decorations and a box of post
cards etc |
10
|
~ |
20
|
| 5 |
A miscellaneous lot |
10
|
~ |
20
|
| 6 |
A walnut chest and matching dressing table. |
20
|
~ |
40
|
| 7 |
An oak bedside locker. |
20
|
~ |
30
|
| 8 |
A sewing box. |
20
|
~ |
30
|
| 9 |
A gilt metal cheval mirror. |
20
|
~ |
30
|
| 10 |
Art Deco hall stand |
10
|
~ |
20
|
| 11 |
A pine demi lune table. |
10
|
~ |
20
|
| 12 |
A coffee table. |
10
|
~ |
20
|
| 13 |
A kitchen steps. |
5
|
~ |
10
|
| 14 |
Four kitchen chairs. |
20
|
~ |
30
|
| 15 |
Three pine plate racks. |
20
|
~ |
30
|
| 16 |
An oak occasional table. |
10
|
~ |
20
|
| 17 |
An oak occasional table. |
10
|
~ |
20
|
| 18 |
A quantity of prints and paintings. |
5
|
~ |
10
|
| 19 |
A bedside locker. |
5
|
~ |
10
|
| 20 |
Two bar stools |
10
|
~ |
20
|
| 21 |
An oak barley twist standard lamp and another similar.
|
20
|
~ |
40
|
| 22 |
A gilt compartment mirror,20th Century. As found. |
20
|
~ |
40
|
| 23 |
Nine oak dining chairs. |
40
|
~ |
60
|
| 24 |
A pair of kitchen chairs |
10
|
~ |
20
|
| 25 |
A kitchen chair and an occasional table. |
10
|
~ |
20
|
| 26 |
Miscellaneous boxed lot |
5
|
~ |
10
|
| 27 |
Miscellaneous boxed lot towels and linens |
10
|
~ |
20
|
| 28 |
An oak sideboard mid 20th century |
10
|
~ |
20
|
| 29 |
A nest of three oak tables. |
30
|
~ |
50
|
| 30 |
A mahogany dressing stool. Edwardian |
20
|
~ |
50
|
| 31 |
An oak sideboard. Mid 20th Century. |
50
|
~ |
100
|
| 32 |
A mahogany sewing table of circular form on slender
legs. Mid 20th Century. |
30
|
~ |
50
|
| 33 |
An inlaid mahogany and walnut finished coffee table
on cabriole legs |
150
|
~ |
250
|
| 34 |
A pair of wheelback kitchen chairs. |
20
|
~ |
40
|
| 35 |
An oak gate leg dining table. |
40
|
~ |
80
|
| 36 |
A box if miscellaneous bric a brac |
10
|
~ |
20
|
| 37 |
A pine coloured towel rail and a mahogany coloured plant
stand |
10
|
~ |
20
|
| 38 |
A chiffonier base |
10
|
~ |
20
|
| 39 |
Two boxed lots of assorted linen, food bags, books etc
|
10
|
~ |
20
|
| 40 |
Two metal filing cabinets. |
20
|
~ |
50
|
| 41 |
A box of miscellaneous bric a brac |
10
|
~ |
20
|
| 42 |
A galleried wine table. |
10
|
~ |
20
|
| 43 |
A 20th century hand painted console table |
30
|
~ |
60
|
| 44 |
An oak dressing chest. |
20
|
~ |
40
|
| 45 |
Two deckchairs, two sun brollies, a cooler box, a bar
b que, box of bar b que items, a tool box with screwdriver etc and
a slow cook oven |
20
|
~ |
40
|
| 46 |
An oak occasional table. |
10
|
~ |
20
|
| 47 |
Two tub chairs. Victorian |
10
|
~ |
20
|
| 48 |
Two boxes of assorted china etc |
10
|
~ |
20
|
| 49 |
An eight piece bamboo conservatory suite. |
50
|
~ |
100
|
| 50 |
A gilt overmantel mirror, restored. Basically Victorian
|
80
|
~ |
150
|
| 51 |
A standard lamp, seven lamps and five shades |
10
|
~ |
20
|
| 52 |
Two school desks |
20
|
~ |
30
|
| 53 |
Three skillet pots |
10
|
~ |
20
|
| 54 |
Three wall mirrors. |
10
|
~ |
20
|
| 55 |
A box of assorted tourist dolls |
20
|
~ |
30
|
| 56 |
A mahogany hostess trolley |
10
|
~ |
20
|
| 57 |
A box of miscellaneous items. |
10
|
~ |
20
|
| 58 |
Two boxes of assorted glassware etc |
10
|
~ |
20
|
| 59 |
Two school desks |
20
|
~ |
30
|
| 60 |
Two piano stools and an oak locker |
10
|
~ |
20
|
| 61 |
Ten assorted framed prints, etc |
10
|
~ |
20
|
| 62 |
An Art Deco mirror, a stool, a fire screen and a print
|
10
|
~ |
20
|
| 63 |
An oak side table |
10
|
~ |
20
|
| 64 |
Box of garden tools, garden spade, forks, brushes etc
|
10
|
~ |
20
|
| 65 |
Two Lloyd Loom lockers |
10
|
~ |
20
|
| 66 |
After WEATLEY, an early engraving, "Idleness" and three
prints, hunting and boating (Four in all) |
30
|
~ |
70
|
| 67 |
A miscellaneous lot |
10
|
~ |
20
|
| 68 |
A miscellaneous lot of crockery, etc. |
5
|
~ |
10
|
| 69 |
A cd rack, oak fronted |
10
|
~ |
20
|
| 70 |
A set of golf clubs |
10
|
~ |
20
|
| 71 |
Two bedside lockers |
10
|
~ |
20
|
| 72 |
Bed cover and pillows |
10
|
~ |
20
|
| 73 |
A Benares tray on stand and a wall mirror. |
10
|
~ |
20
|
| 74 |
A part canteen of cutlery. |
10
|
~ |
20
|
| 75 |
An oval shaped mahogany dining table |
20
|
~ |
30
|
| 76 |
A nest of tables with inset leather tops |
30
|
~ |
50
|
| 77 |
A mahogany finished locker |
10
|
~ |
20
|
| 78 |
An architects drawing board |
10
|
~ |
20
|
| 79 |
Folie Bergere print and seven volumes of New Caxton
Encyclopaedia |
10
|
~ |
20
|
| 80 |
Two bags of golf clubs |
20
|
~ |
40
|
| 81 |
After ADAM BUCK, a pair of early coloured engravings
dated 1799. Glass damaged in one |
50
|
~ |
100
|
| 82 |
Three religious engravings dated 1808 and 1835 and another
|
80
|
~ |
150
|
| 83 |
After TURNER, a print and a print after MASKELL, a street
scene |
20
|
~ |
40
|
| 84 |
A coloured print, titled "In A Fix. Edwardian |
50
|
~ |
80
|
| 85 |
ANDREOLA CORSINI, "Laguna", acrylic on card |
20
|
~ |
40
|
| 86 |
MAUD MCLOUGHLIN, O.O.C, "Achill Landscape", 19.5ins
x 15.5 ins, signed and titled verso |
80
|
~ |
150
|
| 87 |
Still life oil on board. Edwardian |
50
|
~ |
100
|
| 88 |
A cast iron garden bench |
10
|
~ |
20
|
| 89 |
A boat anchor. |
30
|
~ |
50
|
| 90 |
After GEORGE DAWN, early engravings of Prince Leopard,
dated 1818 and another after THOMAS LAURENCE of Prince Charlotte dated
1822 |
100
|
~ |
200
|
| 91 |
Early engraving of an Archbishop 1739 |
150
|
~ |
300
|
| 92 |
The Reception of the Lady's Return from the Coterie,
an early engraving, 18th March 1771 |
80
|
~ |
150
|
| 93 |
Thirteen bar stools. |
100
|
~ |
150
|
| 94 |
A well cast garden bench, the ends representing coiled
serpents with hardwood seat and back. Victorian. |
500
|
~ |
750
|
| 95 |
A good pair of metal seat ends stamped Versailles. 20th
century |
40
|
~ |
80
|
| 96 |
A large bronze bell, dated 1799 on an iron armature |
300
|
~ |
400
|
| 97 |
A cast iron bootscraper in the form of a horseshoe on
an oval rimmed base. Victorian |
80
|
~ |
120
|
| 98 |
A reconstituted stone bird bath with four lobed perches.
|
70
|
~ |
100
|
| 99 |
A good pair of brass and iron fire dogs. Victorian |
100
|
~ |
200
|
| 100 |
A good pierced brass fender on three lion and paw feet.
Victorian |
180
|
~ |
250
|
| 101 |
A good set of brass fire irons. late Edwardian |
60
|
~ |
100
|
| 102 |
An unusual child's chair on timber wheels. Edwardian.
|
50
|
~ |
100
|
| 103 |
A cast iron Buddha head, 20th century |
50
|
~ |
80
|
| 104 |
A cast iron footscraper, 20th century |
20
|
~ |
40
|
| 105 |
A pair of Victorian cast iron bootscrapers set in limestone
plinths |
200
|
~ |
250
|
| 106 |
A good pair of cast iron bootscrapers, stamped Parmiters,
Tisbury. Victorian |
250
|
~ |
350
|
| 107 |
A coopered wooden milk pail. |
40
|
~ |
60
|
| 108 |
An early copper ware two handled tub |
80
|
~ |
120
|
| 109 |
A pair of copper and brass lanterns |
80
|
~ |
150
|
| 110 |
A leather saddle |
30
|
~ |
40
|
| 111 |
Three leather saddles |
30
|
~ |
40
|
| 112 |
A good leather riding saddle |
70
|
~ |
120
|
| 113 |
A box of oil lamp parts and brass |
150
|
~ |
200
|
| 114 |
GHIGLION - GREEN, MAURUCE, 1913 - 1989, limited edition,
lithograph |
80
|
~ |
150
|
| 115 |
An interesting oil on board. Internal cottage scene
|
150
|
~ |
300
|
| 116 |
A gilt overmantel in need of some restoration. Victorian.
|
150
|
~ |
250
|
| 117 |
A stuffed head of an antelope on an oak shield back
marked Sudan 1914 |
550
|
~ |
650
|
| 118 |
A good early 19th century picture frame |
100
|
~ |
200
|
| 119 |
A cherry finished extending table with two extra leaves
and six dining chairs including two carvers |
300
|
~ |
600
|
| 120 |
W. HICKS, watercolour, a cottage in a wooded landscape
in a gilt frame, signed lower right |
250
|
~ |
350
|
| 121 |
A brass ceiling light with a pierced brass border. Edwardian
|
50
|
~ |
80
|
| 122 |
An old ship's wheel. |
90
|
~ |
140
|
| 123 |
A mahogany three drawer bedside locker and a small stained
timber bookshelves. |
20
|
~ |
40
|
| 124 |
A good quality early 20th century oak sideboard. the
inset drawers with bobbin turned beading flanked by carved doors.
All with brass tear drop handles, the entire resting on barley twist
legs |
180
|
~ |
280
|
| 125 |
A pair of original Pears prints in matching frames.
Edwardian |
250
|
~ |
400
|
| 126 |
A part Wedgwood dinner service. |
100
|
~ |
200
|
| 127 |
An early 19th century watercolour, unsigned, WILLIAM
LAWRENCE label verso, Sackville Street, Dublin |
30
|
~ |
50
|
| 128 |
An early religious pressed metal plate, inscription
on base. Very early Victorian100 |
100
|
~ |
200
|
| 129 |
CLOWEY. O.O.C. River scene. |
80
|
~ |
120
|
| 130 |
ANNE MCCARTHY, O.O.B "Man And Dog In A Winter Landscape",
signed lower right and dates '03 |
100
|
~ |
200
|
| 131 |
After WILLIAM CUNNINGHAM, A print, Rush Co Dublin |
30
|
~ |
40
|
| 132 |
A stained beech rocking chair. Edwardian. |
80
|
~ |
150
|
| 133 |
A pine school desk. Late Victorian |
200
|
~ |
300
|
| 134 |
Two good gilt curtain pelmets, with a central shell
motif. Victorian |
250
|
~ |
450
|
| 135 |
An oak extending dining table with two removable leaves(69x38ins).
Edwardian. |
150
|
~ |
250
|
| 136 |
A Victorian D end dining table with one extra leaf on
carved and fluted legs. Some worm to rails. Victorian |
1000
|
~ |
1400
|
| 137 |
A set of six dining chairs, including two carvers, the
carved serpentine crest rails above pierced splats decorated with
wheatsheaves, on fluted square tapering legs and spade feet. Late
Edwardian |
800
|
~ |
1100
|
| 137 A |
An inlaid mahogany slatted double bed. decorated with
conch shells and harebells, crossbanded in satinwood. Edwardian |
200
|
~ |
300
|
| 138 |
A coloured religious print, an early engraving of the
King of Prussia. Two other engravings and two picture frames |
20
|
~ |
40
|
| 139 |
CH POUPRECT, oil on canvas, boating scene, "Waiting
For The Catch". Victorian |
200
|
~ |
350
|
| 140 |
A contemporary print in a metal frame. |
20
|
~ |
40
|
| 141 |
Attributed to MARIE CARROLL, 20th/21st century, O.O.B,
"Cattle Grazing In A Field", 11.25ins x 8ins, unsigned |
250
|
~ |
350
|
| 142 |
DECLAN MARRY, 20th/21st century O.O.C, "Seascape With
Figures And Cottages", 9.5ins X 11.5ins, signed and dated 2006 verso
|
250
|
~ |
350
|
| 143 |
A pine kitchen dresser, the shelved superstructure above
a pair of inset drawers and a pair of cupboard doors |
600
|
~ |
800
|
| 144 |
A Royal Doulton tea set of eighteen pieces, six settings.
|
60
|
~ |
90
|
| 145 |
A Willow pattern part tea set. Edwardian. |
35
|
~ |
50
|
| 146 |
A botanical print, "Blattaria" and another print |
30
|
~ |
60
|
| 147 |
T.C. MURPHY, acrylic on paper, "Strawberry Beds", 16ins
x 11.25ins, signed lower left |
200
|
~ |
300
|
| 148 |
A walnut bed with a quartetto pattern and serpentine
crest rail. |
100
|
~ |
150
|
| 149 |
A childs rocking chair. Late Edwardian |
40
|
~ |
60
|
| 150 |
After W.P.FRITH R.A, a pair of early engravings in maple
frames |
100
|
~ |
200
|
| 151 |
Early religious engravings in an oak frame, label verso,
Granfields Dublin |
40
|
~ |
80
|
| 152 |
A good set of early engravings of Marie Antoinette and
King Louis, dated 1828 |
200
|
~ |
400
|
| 153 |
After GAINSBOROUGH. An early engraving of the right
honourable William Pitt June 4th 1808 in an exceptional gilt frame
|
200
|
~ |
500
|
| 154 |
After JOHN VEN DRAMIM, a pair of engravings dates 1803
|
250
|
~ |
500
|
| 155 |
An exceptional quality double bed, the scrolling headboard
with three fielded panels framed in maplewood below a raised pediment
crested with carved figures and ribbons and a conforming footboards
with a carved central panel and reeded crest rail and legs. Together
with a matching marble topped locker. Edwardian |
1400
|
~ |
1800
|
| 156 |
A fine amboyna and ebony strung 5ft bed with a bowed
breakfront footboard dec with swags and garlands in brass, resting
on brass casters. Victorian |
750
|
~ |
1000
|
| 157 |
Three early engravings, one after J. HOPPNER, dated
1798 and two other of similar age |
100
|
~ |
200
|
| 158 |
Two early 19th century engraving. One after J. PARTRIDGE
and another |
60
|
~ |
120
|
| 159 |
A brass curb fender. |
140
|
~ |
180
|
| 160 |
A brass fender with barley twist rails. |
70
|
~ |
120
|
| 161 |
A Tudor style oak court cupboard. |
80
|
~ |
120
|
| 162 |
A pair of large Staffordshire mantel dogs. Late Victorian
|
150
|
~ |
200
|
| 163 |
A timber framed egg timer. Edwardian |
80
|
~ |
150
|
| 164 |
A pair of classical two handled mantel urns, the leaf
encrusted and demi-reeded bodies on turned stems resting on black
marble plinths. Victorian. |
50
|
~ |
100
|
| 165 |
A large silverplated meat cover. |
70
|
~ |
100
|
| 166 |
A good walnut coal box and shovel. Edwardian |
90
|
~ |
140
|
| 167 |
A pair of mahogany nursing chairs. Edwardian. |
50
|
~ |
100
|
| 168 |
A mahogany pier mirror with inlaid and fretted crest
rail. Mid 20th century |
80
|
~ |
120
|
| 169 |
A marble topped mahogany washstand with a tiled splashback.
Edwardian. |
20
|
~ |
50
|
| 170 |
A brass hall lantern with engraved ruby glass panes.
Edwardian |
120
|
~ |
180
|
| 171 |
A glazed ceramic whiskey barrel with a hand painted
stag in a naturalistic setting. As found. Victorian |
100
|
~ |
200
|
| 172 |
An oil on canvas, bearded gentleman in Victorian dress
|
100
|
~ |
250
|
| 173 |
A pair of mahogany open wallshelves, each with pierced
fret sides and a lower drawer.20th Century |
120
|
~ |
150
|
| 174 |
An early 19th century engraving |
50
|
~ |
100
|
| 175 |
A round dial eight day oak framed wall clock, the dial
signed Smith, Enfield. |
150
|
~ |
250
|
| 176 |
JIMMY KELLY, 20th/21st century, O.O.C, "Giggles" 19.5
ins x 23.5ins, signed and dated '07 lower right |
300
|
~ |
500
|
| 177 |
ADAM KOS, P.O.B, "Inkwell", 11.5ins x 7.5ins, signed
upper right |
450
|
~ |
650
|
| 178 |
Three bakelite clocks and another electric clock. |
20
|
~ |
40
|
| 179 |
An oak side table with two carved frieze drawers. |
20
|
~ |
50
|
| 180 |
A mahogany chamber table with inset drawer and brass
swan neck handle on turned legs. late Victorian. |
120
|
~ |
180
|
| 181 |
A large quantity of long playing records and single
records |
10
|
~ |
20
|
| 182 |
A pair of brass hall lanterns, each with five glass
panels, with pierced gothic arches and "ace of spades" friezes, surmounted
by domed tops. |
500
|
~ |
700
|
| 183 |
J.F.SMith O.O.C, "Still Life Of Fruit On A Bank", signed
lower right |
200
|
~ |
300
|
| 184 |
A Pear's advertising print. |
100
|
~ |
150
|
| 185 |
A pair of oval framed prints. Edwardian |
50
|
~ |
100
|
| 186 |
After CHARLES HUNT, a pair of Victorian lithograph on
paper "The Donkey Derby" and "A Game of Draughts" |
300
|
~ |
350
|
| 187 |
D.M.MORRISON. O.O.B. Lakeshore with ruins. |
100
|
~ |
150
|
| 188 |
A coloured "Pears" advertising print |
70
|
~ |
100
|
| 189 |
A coloured print, signed in pencil, published 1910.
|
30
|
~ |
50
|
| 190 |
A revolving piano stool with a leatherette seat above
a carved stem and three outswept legs. Late Victorian |
180
|
~ |
250
|
| 191 |
A good inlaid mahogany chest of drawers with two short
and two long drawers with ring handles on outswept bracket feet and
shaped apron. Late Victorian |
250
|
~ |
350
|
| 192 |
A fitted oak stationery box, the carved panelled slope
front doors opening to reveal a well fitted interior above an inset
drawer. Edwardian |
200
|
~ |
300
|
| 193 |
A pair of posy vases with a man and woman on naturalistic
bases. As found |
80
|
~ |
120
|
| 194 |
A pair of brass bulls |
20
|
~ |
40
|
| 195 |
A good pair of carved wood figures of musicians. Mid
20th century |
300
|
~ |
400
|
| 196 |
S.M. ROBERTSON. O.O.B. A Cornish beach. Signed lower
right and inscribed verso. |
550
|
~ |
750
|
| 197 |
R. SUNDERLAND, a watercolour "Harbour Scene" |
80
|
~ |
150
|
| 198 |
A brass table gong in the form of a lyre on an oak base,
with striker. Edwardian |
60
|
~ |
90
|
| 199 |
Lovely quality inlaid mahogany bedside locker. The panelled
door inlaid with kingwood, resting on tapering legs. Late Victorian
|
180
|
~ |
250
|
| 200 |
A mahogany bookcase, the upper section with three glazed
doors with carved crests, over a base with three panelled doors, correspondingly
crested and three inset drawers, the entire resting on a plinth base.
Victorian. |
2200
|
~ |
2800
|
| 201 |
Five ceramic kitchen containers. |
15
|
~ |
30
|
| 202 |
A shelf of books. |
10
|
~ |
20
|
| 203 |
A set of four graduated Bell's Whiskey bottles. |
20
|
~ |
50
|
| 204 |
Three Lusterware jugs with hand painted decoration.
Some repairs. |
20
|
~ |
30
|
| 205 |
A box of antique catalogues and collectors' magazines.
|
10
|
~ |
20
|
| 206 |
Approx 22 pieces of Galway Crystal |
50
|
~ |
100
|
| 207 |
Etched glass liquor decanter and six glasses |
10
|
~ |
20
|
| 208 |
Hummel figure |
10
|
~ |
20
|
| 209 |
A Royal Doulton figurine, as found |
10
|
~ |
20
|
| 210 |
Four pieces of Wedgwood |
10
|
~ |
20
|
| 211 |
Four Royal Doulton plaques |
40
|
~ |
60
|
| 212 |
VINCENT O.O.C, "Still Life Of Fruit In A Table", in
an ornate gilt frame, signed lower left |
250
|
~ |
350
|
| 213 |
J.P.ROONEY 1947, O.O.B, "Shawlies And Fisherman", 15.5ins
x 12.5ins, signed lower right |
800
|
~ |
1000
|
| 214 |
A good walnut hall table on turned legs with a secret
drawer fitted to right hand side. Victorian |
320
|
~ |
420
|
| 215 |
A good silverplated tea kettle, the urn shaped body
resting on a tripod stand supporting a spirit burner. Edwardian. |
100
|
~ |
140
|
| 216 |
A large Jasperware cheese dome decorated with classical
figures in relief. Early 20th Century. |
100
|
~ |
150
|
| 217 |
An unusual French walnut banjo barometer with carved
cresting above an enamel thermometer and an exposed movement. Victorian.
|
280
|
~ |
350
|
| 218 |
A drop dial eight day American wall clock. |
150
|
~ |
250
|
| 219 |
A good quality oil on canvas signed bottom left hand
side, inlaid setting |
50
|
~ |
100
|
| 220 |
K.M WYATT, O.O.B, "The Water Seller Of Seville", signed
lower left |
180
|
~ |
250
|
| 221 |
Nude, inscribed, dated December 11 1996, acrylic of
a female |
100
|
~ |
200
|
| 222 |
An unusual pair of legal cartoon sketches. Edwardian,
label verso |
150
|
~ |
200
|
| 223 |
A good pair of carved wood figures. early 20th century
|
300
|
~ |
400
|
| 224 |
A mahogany Wellington chest of seven graduated drawers
with pierced brass handles, on bracket feet. George V. |
550
|
~ |
750
|
| 225 |
A marble bust of a classical figure on a circular plinth
base |
250
|
~ |
350
|
| 226 |
MILLIE JACKSON. O.O.B. A coastal scene |
50
|
~ |
90
|
| 227 |
A good oil on panel, interior scene. Victorian |
200
|
~ |
300
|
| 228 |
Unsigned, watercolour of musicians. Victorian |
100
|
~ |
200
|
| 229 |
After GEORGE BAXTER. A coloured print of a chimney sweep
1853 and a coloured print of a school boys argument. Late Victorian
|
40
|
~ |
80
|
| 230 |
A good original Pears print. Edwardian |
120
|
~ |
200
|
| 231 |
A walnut slope fronted coal box with a reeded fielded
panel front, brass carrying handle and shovel. Late Victorian |
200
|
~ |
300
|
| 232 |
A good mahogany tea table with a ring turned column,
on four outswept legs with brass capped toes and castors. Regency
to early Victorian |
1300
|
~ |
1700
|
| 233 |
A mahogany dinner gong, the brass gong suspended within
a circular frame on a well carved stem and a platform base. Victorian.
|
250
|
~ |
350
|
| 234 |
A pair of hall chairs, the crest rails decorated with
carved dragons, on turned legs. Edwardian. |
70
|
~ |
120
|
| 235 |
DECLAN MARRY, 20th/21st century, O.O.C, 11.5ins x 9.25ins,
"Lilies In A Pond", signed verso |
250
|
~ |
350
|
| 236 |
FH TUCKER O.O.B, "A West Of Ireland landscape With Cottages",
signed and dated 1976 lower right |
250
|
~ |
350
|
| 237 |
After W.WEBB. An engraving. |
20
|
~ |
30
|
| 238 |
An octagonal topped trumpet work table with inlaid games
top or chess board. Victorian |
300
|
~ |
550
|
| 239 |
Superb quality two piece flame mahogany chest of two
over three graduated drawers resting on bun feet. Mid Victorian |
600
|
~ |
850
|
| 240 |
A barograph in its glass case, labelled Weir & Son,
Dublin. Early 20th Century. |
400
|
~ |
500
|
| 241 |
Two green Wedgwood jasperware jugs decorated with classical
figures, George V |
250
|
~ |
350
|
| 242 |
PETER KNUTTEL 1945, watercolour, "Cottages In Ballyconnelly",
21.5ins x 14.5ins, signed and titled lower right |
300
|
~ |
500
|
| 243 |
A good coloured print in an ornate gilt frame. Edwardian
|
20
|
~ |
50
|
| 244 |
A large coloured engraving with pencil signature. Late
Victorian |
50
|
~ |
100
|
| 245 |
A slender bow fronted mahogany bookcase, the arched
pediment above a glazed upper section, resting on a cupboard base
enclosed by an oval panelled door, on splayed bracket feet. Victorian.
|
800
|
~ |
1200
|
| 246 |
A beautiful quality Arts & Crafts oak dresser. The dresser
top above an oak base with fitted drawers on tapering legs and pad
feet. Victorian |
700
|
~ |
950
|
| 247 |
A good Minton fish plate with a hand painted design
by W.S Coleman, circa 1880 |
140
|
~ |
180
|
| 248 |
A pair of silverplated cafe-au-lait or chocolate pots
of conical form with hardwood handles. George V |
60
|
~ |
90
|
| 249 |
A set of six Wade miniature spirit barrells, labelled
Gin,Scotch,Sherry,Port,Rum and Cognac.Mid 20th Century. |
80
|
~ |
120
|
| 250 |
A good transfer printed mug, depicting a fox amongst
vines. Victorian. |
40
|
~ |
80
|
| 251 |
A transfer printed milk jug. The Donkey Ride. |
20
|
~ |
30
|
| 252 |
An outsize transfer printed teacup and saucer with a
gilt rim. Edwardian. |
15
|
~ |
30
|
| 253 |
Three graduated blue and white willow pattern plates.
Victorian |
90
|
~ |
140
|
| 254 |
A fine quality mahogany bracket mirror of shield form.
The upper bracket with pierced scalloped decoration and the frame
decorated with floral swags and c scroll. Late Victorian |
400
|
~ |
500
|
| 255 |
A fine quality panelled topblanket or silver chest,
above a body of exposed dovetail construction, resting ball and claw
feet with carved knees. Victorian |
500
|
~ |
700
|
| 256 |
A pair of paintings, O.O.C, both with horseracing themes.
Unsigned. |
300
|
~ |
500
|
| 257 |
A carved oak aneroid barometer with a subsidiary thermometer,
both with ceramic dials. Edwardian |
200
|
~ |
300
|
| 258 |
An Afton advertising clock. |
20
|
~ |
40
|
| 259 |
Stag hunting, a coloured print |
20
|
~ |
40
|
| 260 |
An oil on canvas board unsigned, semi nude dancers in
a forest setting, probably a late Victorian painting re-laid on a
modern panel |
150
|
~ |
300
|
| 261 |
A large coloured engraving with pencil signature. Late
Victorian |
50
|
~ |
100
|
| 262 |
A decorative brass milk rail of conical form with a
hinged lid and two handles and resting on bun feet. Victorian |
250
|
~ |
320
|
| 263 |
A mahogany fold over card table with a carved edge resting
on four square tapering legs and spade feet. Edwardian |
400
|
~ |
500
|
| 264 |
A good brass fire screen with diamond shaped mirror.
Mid Victorian |
280
|
~ |
350
|
| 265 |
A coopered mahogany bucket or planter with brass bands
and a fretted top. Edwardian |
70
|
~ |
100
|
| 266 |
A mahogany envelope card table, the blind fretted frieze
containing an inset drawer, the entire resting on outswept legs united
by pierced fret X stretchers. The baized playing surface with inset
sovereign wells. Edwardian. |
550
|
~ |
750
|
| 267 |
A rosewood fold over table with an inset leather top
over a frieze drawer on two supports united by a turned stretcher
and scrolled feet. Early Victorian. |
500
|
~ |
600
|
| 268 |
Excellent quality rosewood snap top breakfast table.
The top cross banded in satinwood and inlaid in ebony stringing, above
a well turned stem on four outswept reeded legs with brass capped
toes and castors. William IV |
700
|
~ |
1200
|
| 269 |
A cut glass three branch table candelabrum |
30
|
~ |
50
|
| 270 |
A good set of four rosewood chairs. The shaped backs
with carved rails above shaped legs and birdseye feet. Mid Victorian
|
450
|
~ |
700
|
| 271 |
An inlaid mahogany two tier plant stand. Edwardian |
150
|
~ |
200
|
| 272 |
A well carved walnut desk armchair, the arched crest
rail above an upholstered back and crisply carved arms. The entire
resting on turned gunbarrell legs united by fluted stretchers. Late
Victorian |
200
|
~ |
300
|
| 273 |
A good early oak coffer, or blanket chest, the crossbanded
plank top over a panelled body with two conformingly crossbanded drawers.
George IV. |
450
|
~ |
550
|
| 274 |
A good walnut music Canterbury on turned supports with
fitted drawer and moulded glass handles |
200
|
~ |
400
|
| 275 |
An early mahogany elbow chair with a pierced rail back
above outswept arms. Early Georgian |
200
|
~ |
300
|
| 276 |
A good handmade Persian wool runner from the Hamadam
region |
350
|
~ |
500
|
| 277 |
A mahogany side table with one frieze drawer flanked
by two dummies, on a good base with a shelf stretcher. Victorian.
|
200
|
~ |
250
|
| 278 |
A good three piece clock garniture with gilt metal mounts.
Late Victorian |
550
|
~ |
750
|
| 279 |
A good handmade Persian wood rug from the Hamadam region
|
300
|
~ |
500
|
| 280 |
A good mahogany breakfast table,(45ins dia.) on a faceted
stem and platform base with bun feet. Victorian. |
350
|
~ |
450
|
| 281 |
A good set of four mahogany dining chairs with shaped
backs on turned and reeded legs. Victorian |
200
|
~ |
400
|
| 282 |
A carved and gilt X-framed stool with an upholstered
seat and cushion. 20th Century. |
0
|
~ |
0
|
| 283 |
A good mahogany Sutherland table supported on fine ring
turned legs. Edwardian. |
220
|
~ |
300
|
| 284 |
An inlaid mahogany elbow chair with a good lattice back
splat. Edwardian |
200
|
~ |
300
|
| 285 |
A mahogany pedestal desk with three frieze drawers and
three graduated drawers in each pedestal, beneath an inset leather
top. Late Victorian |
750
|
~ |
950
|
| 286 |
A pottery tureen, encrusted with flowers |
20
|
~ |
30
|
| 287 |
A part tea set and a cased set of wooden handled knives
|
20
|
~ |
30
|
| 288 |
A good inlaid mahogany elbow chair with a well carved
centre splat with hand painted central lozenge. The swept armrests
meeting inlaid square tapering legs terminating in spade feet. late
Victorian |
380
|
~ |
450
|
| 289 |
A good fielded panel oak coffer. George III |
350
|
~ |
500
|
| 290 |
A mahogany chaise longue with a scrolled back and arm
rest on carved and turned legs. Victorian |
600
|
~ |
700
|
| 291 |
An inlaid mahogany bow fronted cabinet suitable for
a television cabinet, 20th century |
600
|
~ |
700
|
| 292 |
A pair of mahogany demi lune tables, the frieze inlaid,
each resting on four square tapering legs. Victorian |
700
|
~ |
1000
|
| 293 |
After L.PENER. A pair of early French prints figure
in period dress in a landscape setting |
40
|
~ |
70
|
| 294 |
A mahogany backed wall bracket with a carved and fretted
frieze surmounted by a barometer set into a pierced pediment. The
mirror flanked by a weather glass and a thermometer. Late Victorian
|
550
|
~ |
700
|
| 295 |
CHRISTINE ADAMS. Signed watercolour on paper, interior
scene |
80
|
~ |
150
|
| 296 |
A coloured print, the goose that laid the golden eggs.
|
30
|
~ |
50
|
| 297 |
A set of ten hunting prints in mahogany frames |
100
|
~ |
200
|
| 298 |
A carved oak banjo barometer, the exposed movement encircled
by an unusual ceramic dial beneath a mercury thermometer. Late Victorian.
|
280
|
~ |
350
|
| 299 |
TOM BYRNE, pencil on paper, "The Circus", 11ins x 16ins,
signed lower right and titled verso |
100
|
~ |
200
|
| 300 |
TOM BYRNE, pencil on paper, "The Eagle And The Lamb",
11ins x 16ins, signed lower centre and titled verso |
100
|
~ |
200
|
| 301 |
Four old glazed earthenware jelly moulds and a copper
jelly mould |
40
|
~ |
80
|
| 302 |
A stained wood carved plate rack. |
20
|
~ |
40
|
| 303 |
A set of four handpainted wall plates by Bayer & Bock
|
40
|
~ |
80
|
| 304 |
After H.ALKEN, a good set of hunting prints in oak frames
|
120
|
~ |
220
|
| 305 |
A mahogany serpentine fronted ladies writing desk with
brass galleried superstructure containing four drawers above an inset
leather top. The entire resting on four square tapering legs. Edwardian
|
750
|
~ |
950
|
| 306 |
An inlaid mahogany corner chair with upholstered seat
on four turned legs. Edwardian |
200
|
~ |
280
|
| 307 |
LORNA MILLAR, 20th/21st century, O.O.B, "Skipping",
29.5ins x 19.5ins, signed lower right |
1400
|
~ |
1800
|
| 308 |
A fine quality inlaid mahogany corner cabinet. The top
with an inlaid frieze and pediment above an astragal glazed door,
over a conforming base with a marquetry inlaid panelled door. The
entire resting on bracket feet. Late Victorian |
1700
|
~ |
1600
|
| 309 |
GRAHAM KNUTTEL 1954, O.O.C, "Woman With A Cat And Plums",
15.5ins x 19.5ins, signed lower right |
3500
|
~ |
4500
|
| 310 |
ANNIE ROBINSON 1961, acrylic on canvas, "Still Life
With Flowers", 8ins x 6ins, signed lower left |
1200
|
~ |
1500
|
| 311 |
FJ. RAILTON, "The Riverside Inn", 1846 - 1866, a large
oil on canvas (distressed), signed verso. Exhibited at the Royal Academy
|
350
|
~ |
700
|
| 312 |
A good mahogany overmantle, the inverted cornice above
turned and gilt columns, Regency |
500
|
~ |
650
|
| 313 |
K.B. Oil on canvas. A Mediterranean scene with fishing
boats. Initialled lower right. |
100
|
~ |
200
|
| 314 |
O.O.C. Portrait of a lady. Some restoration needed.
|
50
|
~ |
100
|
| 315 |
ADAM KOS, 20th/21st century O.O.B, "Still Life", 7.5ins
x 11.5ins, signed lower left |
400
|
~ |
600
|
| 316 |
JIMMY KELLY, 20th/21st century, O.O.B, "Whispers", 35.5ins
x 23.5ins, signed and dated '07, lower right |
500
|
~ |
700
|
| 317 |
Attributed to W.J.SHAYER, O.O.C, "Fisherfolk On The
Shore", 23.25ins x 19.25ins, named on stretcher verso |
250
|
~ |
450
|
| 318 |
19thCentury British School. Watercolour. A still life
with flowers in a semi-reeded bowl decorated with classical figures.
Unsigned. In a rosewood frame. |
100
|
~ |
200
|
| 319 |
After SIOBHANN PIERCY. A pair of limited edition screen
prints, "The Lion Tamers Chair #1 and #2. Each signed and dated '89
|
100
|
~ |
200
|
| 320 |
Two framed prints, a Perthshire river and another Edwardian
|
50
|
~ |
90
|
| 321 |
A pitch pine bench or pew. Victorian |
280
|
~ |
400
|
| 322 |
T.C. MURPHY, acrylic on paper, "symbols Of Newbridge",
11.25ins x 15.75ins, signed lower left |
200
|
~ |
300
|
| 323 |
J.P. Rooney b.1947, O.O.B, "Shawlies", 12.5ins x 8.75ins,
signed lower right |
600
|
~ |
800
|
| 324 |
ADAM KOS, O.O.B, "Co Mayo", 9.5ins x 4ins, signed and
dated 1998 lower left |
300
|
~ |
400
|
| 325 |
ANNIE ROBINSON b.1961, acrylic on canvas, "Connemara
Cottages", 6.5ins x 4.5ins, signed lower left |
1200
|
~ |
1500
|
| 326 |
A deep buttoned Chesterfield couch with turned legs.
Edwardian |
250
|
~ |
350
|
| 327 |
A gilt mirror with a bevelled plate. 20th Century. |
50
|
~ |
100
|
| 328 |
A good coloured print in an oak and gilt frame. Edwardian
|
40
|
~ |
70
|
| 329 |
EOIN TURNER. O.O.C. Abstract, from the Gresham Hotel
series. |
150
|
~ |
200
|
| 330 |
A framed caricature. The March of Legislation |
30
|
~ |
40
|
| 331 |
Oil on canvas in an ornate gilt frame, unknown sitter.
Edwardian |
100
|
~ |
200
|
| 332 |
A good inlaid walnut bedside locker with inset marble
top. Edwardian |
80
|
~ |
150
|
| 333 |
Two carved mahogany bedroom chairs and a nursing chair
|
60
|
~ |
80
|
| 334 |
A good inlaid rosewood overmantel in need of a little
restoration. Edwardian. |
100
|
~ |
200
|
| 335 |
An inlaid mahogany overmantel decorated with swags,
an urn and stylised tulips. Edwardian |
500
|
~ |
600
|
| 336 |
A mahogany overmantel mirror. Edwardian. |
20
|
~ |
40
|
| 337 |
A pitch pine bench or pew. Victorian |
280
|
~ |
400
|
| 338 |
A pitch pine bench or pew. Victorian |
280
|
~ |
400
|
| 339 |
A box of long playing and other classical recordings.
|
40
|
~ |
80
|
| 340 |
A good flame mahogany swing frame dressing mirror. Victorian.
|
100
|
~ |
150
|